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Rockabilly Hall of Fame
Artist Album Downloads
Rockabilly Hall of Fame - Volume 1
Rockabilly Hall of Fame - Volume 2
Rockabilly Hall of Fame - Volume 3
Rockabilly Hall of Fame - Volume 4
E-MUSIC: Rockabilly Hall of Fame - Volume 5 w/Gene Vincent Tribute
Bill Flagg - Guitar Rock
Bobby Lowell & the Rocka Boogie Boys - Rocka Billy: Just Won't Stop!
Roman Self - Tribute to Ronnie Self
John D. And The Thunderboltz
King Kerosene - Just Warmin'
Leon Bass - Love-a-Rama
Grant Grieves - 45s
Grant Grieves - Red Hot! Rockin' Now & Then
Grant Grieves And The Flashbacks - Nashville Demos
Tommy Riddle - Poppa Poppa Da Da
Dr. Tom Butt - Rockin With The Doc
Freddie Bell R.I.P.
Rock'n'roll singer who inspired Elvis Presley's version of Hound Dog
Freddie Bell was a 1950s rock'n'roll pioneer whose version of Hound Dog inspired Elvis
Presley to cover the song. He also had a hit with Giddy up a Ding
Dong which he performed with his band the Bellboys in the seminal 1956 teen film Rock
Around The Clock.
Born Freddie Belo to Italian-American parents in Philadelphia in 1931, he joined Ernie
Ventura's band while still in his teens. In 1951 he formed his own
group, the Bellboys, as one of the first white combos to play black music, specialising in
covers of the r&b hits of the day. By 1953 Bell and his five-strong
backing group landed a booking at the Sands Casino, Las Vegas, where they performed
regularly over the next few years.
In 1955 Bell made his first recording back in Philadelphia, a reworking of Big Mama
Thornton's Hound Dog, with toned-down lyrics as the original words were
judged too raunchy for a white audience. In April the following year Elvis Presley, who
was in Las Vegas, heard Bell singing Hound Dog. As they chatted
afterwards, Presley asked if he might cover the song. Bell agreed, but while his record
company buried his version as an album cut on the LP Rock & Roll
All Flavors, Presley's version was released as a single and soared to the top of the
charts.
Bell had better luck with the novelty rocker Giddy up a Ding Dong, which he recorded for
the Wing label in 1956. Once again Las Vegas proved the key when
the film producer Sam Katzman saw him perform the song and invited Bell and the Bellboys
to appear in the first rock'n'roll movie, Rock Around the Clock.
Bell sang Giddy up a Ding Dong and Teach You to Rock in the film, and the former rose to
No4 in the British charts - although, oddly, it was not a hit
in the US.
A second film appearance followed in Rumble on the Docks (1956), but there were no more
hits. Bell continued to work steadily as a nightclub performer and
was still appearing at Las Vegas well past retirement age, billed as the Freddie Bell
Show. Rockin' is Our Business, a CD reissue of his 1950s recordings,
helped to revive interest in his work on its release in 1996.
Freddie Bell, singer and songwriter, was born on September 29, 1931. He died of cancer on
February 10, 2008, aged 76.
Tickets on Sale Now for the April 28 & 29, 2008
Ponderosa Stomp #7
The countdown to the 7th Annual Ponderosa Stomp is on. Tickets are available now for a
mind-melting, hip-shaking double header of sweet soul, funk, rockabilly, garage and rhythm
and blues from the unsung heroes of rock 'n' roll.
Returning to the House of Blues for another year, we're doubling your pleasure with a
comprehensive two-night stand of musical mayhem from the true architects of the sound -
like Rock n'Roll Hall of Fame inductee Ronnie Spector, teen tragedy queen Mary Weiss (of
the Shangri-La's) and blistering soul provider Syl Johnson. Genius bandleader and R&B
mastermind Wardell Quezergue returns to show how it's done New Orleans-style; so does Roky
Erickson's blues-damaged psychedelic assault. From soul-soothing R&B to mind-shattering
garage rock, the Stomp is gonna take you from the dirt-floor jukejoint to where the
pyramid meets the eye.
So twist, monkey, run, walk or crawl - it's time to fire up your mojo and head on
downriver to New Orleans for Ponderosa Stomp 2008.
FULL LINEUP: Ronnie Spector, Roky Erickson, Mary Weiss, Question Mark and The
Mysterians, The Collins Kids, The Green Fuz, Syl Johnson, The Hi Rhythm Section, William
Bell, The Bo Keys, Bobby Parker, The Mighty Hannibal, Nathaniel Mayer, Eddie Bo, Zigaboo
Modeliste, Lazy Lester, Barbara Lynn, Travis Wammack, Tammy Lynn, Al Johnson, Lil Buck
Sinegal and The Top Cats Featuring Stanley "Buckwheat" Dural, Warren Storm, Hayden
Thompson, Sonny Burgess, Joe Clay, Jay Chevalier, Deke Dickerson and The Eccofonics,
Little Freddie King, Henry Gray, Louisiana Red, James Blood Ulmer, Wardell Quezergue and
His Rhythm and Blues Revue, Roscoe Robinson, Ralph "Soul" Jackson, Herman Hitson, Wiley
and The Checkmates, and Rockie Charles.
TICKETS: Tickets $45 per night. Available at Ticketmaster outlets,
www.ticketmaster.com and through the House of Blues box office at 504-310-4999.
DIRECT LINKS TO BUY TICKETS:
night one - http://www.ticketmaster.com/ -
night two - http://www.ticketmaster.com/
HOTEL INFORMATION:
Rooms are available for the nights of April 28th, 29th, 30th and May 1st, 2008 at the
historic
French Market
Inn,
501 Decatur St, New Orleans in the French Quarter 3 blocks from the House of Blues. The
special rate is $79 per night plus tax. To make reservations one needs to call
1-888-211-3447 and request the Ponderosa Stomp rate. Guests will not be able to get the
special rate without mentioning the Ponderosa Stomp. www.ponderosastomp.com.
Ken Nelson R.I.P.
Ken Nelson, former head of country A&R for Capitol Records
and a member of the Country
Music Hall of Fame, died Sunday, January 6, 2008 at his home in Somis, Calif.,
13 days short of his 97th birthday. He had not been ill prior to his death, his daughter
Claudia Nelson told CMT.com.
In his prime during the '50s and '60s, Nelson produced such artistically pivotal acts as
Hank Thompson, Buck Owens, Merle Haggard and Wanda Jackson and
is credited with helping define the distinctive Bakersfield Sound through his low-key
studio guidance.
According to The Encyclopedia of Country Music, a publication of the Country Music Hall of
Fame and Museum, Kenneth F. Nelson was born Jan. 19, 1911 in
Caledonia, Minn. Raised in a Chicago orphanage, Nelson developed a early interest in music
and even worked briefly as a singer before turning to radio.
He joined the staff of Chicago's giant WJJD in the late 1930s and eventually ascended to
the post of music director. Although his interest at the time
was in classical music, his job also required him to oversee WJJD's massively popular live
country show, Suppertime Frolic.
Nelson's experience in working with WJJD's country roster led to a job in 1948 with
Capitol Records in Hollywood, where he was initially put in charge
of the transcription department. In 1951, he was named head of the label's country artist
and repertoire division. His big break came when he produced
Thompson's 1952 hit, "Wild Side of Life," which topped the country charts for 15 weeks.
In the ensuing years, Nelson also produced hits for Gene Vincent, Tommy Sands,
Ferlin Husky, Wynn Stewart, Tommy
Collins and Jean Shepard, among others. He was also one of the co-founders
of the powerful West Coast music publishing company, Central Songs, and a prime mover in
the creation and growth of the Country Music Association.
Gene Vincent's band members, the Blue Caps, remained close friends of Ken.
They (Dickie, Johnny and Tommy) last spent time together with him in October of 2005 at the Rockabilly
Hall of Fame's
Gene Vincent Tribute Show in Van Nuys, Calif.
Nelson retired from Capitol in 1976 and was inducted into the Country Music Hall of Fame
in 2001. At his request, his daughter said, he will be cremated
and there will be no memorial service.
Ken Nelson's Autobiography, "My First 90 Years".
Ike Turner Dead at 76
December 12, 2007 -
There was no immediate cause of death, and his manager declined to comment on Turner's health
of late, saying only that "he was as sick as any 76-year-old man would be."
Turner, a native of Clarksdale, Miss., was as important figure in rhythm and blues as
anyone of his era, particularly in infusing his sound with what would later be known as
rock and roll. In fact, he is credited by many rock historians with making the first
rock-and-roll record, "Rocket 88," in 1951. Produced by the legendary Sam Phillips, it was
groundbreaking for its use of distorted electric guitar.
In 1959, Turner met Anna Mae Bullock, then 18, and proceeded to help turn the singer into
a star. The couple married and the husky-voiced singer changed her name to Tina Turner,
sporting short skirts and stiletto heels and turning into a dazzling diva onstage.
The pair recorded a string of big hits, including "A Fool In Love," "I Idolize You," "It's
Gonna Work Out Fine," and "River Deep, Mountain High." Their cover of Creedence Clearwater
Revival's "Proud Mary" landed them a Grammy for best R&B vocal performance by a group.
But while Ike and Tina made for a potent musical duo, their marriage was widely reported
to be a mess, with Ike Turner alleged to have beaten and brutalized Tina over several
years. Tina Turner wrote about the abuse in her 1986 autobiography, I, Tina, which was
used as the basis for the film What's Love Got to Do With It. In the movie, Laurence
Fishburne portrayed Ike Turner as a ruthless demon.
Ike Turner denied his ex-wife's claims of abuse and expressed frustration at his
reputation and lack of recognition for his music. In 1991, when he and Tina were inducted
into the Rock & Roll Hall of Fame, he was serving a lengthy prison term on drug and
weapons charges and was forced to miss the ceremony.
Ike Turner managed to rehabilitate his image somewhat in his later years, touring around
the globe with his band the Kings of Rhythm and drawing critical acclaim for his work. He
won a Grammy in February 2007 in the traditional blues album category for Risin' With the
Blues.
Ike Turner Memorial website
Ike Turner official website
YouTube video clip "The Big TNT Show" movie trailer
featuring Ike & Tina Turner with Bo Diddley.
September 3, 1925 - November 6, 2007
Hank Thompson R.I.P.
Country singer Hank Thompson, who had 29 hits reach the top 10 between 1948 and 1974, has
died of lung cancer just days after canceling his tour, his spokesman said Wednesday.
Thompson, 82, died late Tuesday November 6th at his home in the Fort Worth suburb of Keller, said Tracy
Pitcox, who also is president of Heart of Texas Records.
Just last week, Thompson canceled the rest of his tour after being hospitalized.
"He was battling aggressive lung cancer," Pitcox said in a statement. "He remained
conscious until the last couple of hours and passed away peacefully at about 10:45 p.m. on
Tuesday night surrounded by his friends and family."
In 1952, his album "The Wild Side of Life" reached No. 1. Some of his most famous songs
include "Humpty Dumpty Heart" and "A Six Pack to Go."
The last show Thompson played was Oct. 8 in his native Waco. That day was declared "Hank
Thompson Day" by Gov. Rick Perry and Waco Mayor Virginia DuPuy.
There will be a celebration of Hank's life and all of his fans are invited. The event will
be held on November 14, 2007 at Billy Bob's Texas, 2520 Rodeo Plaza, Ft Worth, Texas.
Time: 2:00PM.
More about Hank
Artist Proves His Influence and Staying Power with Public Radio
International Feature, Country Music Hall of Fame Gig and U.K. Concerts
Billy Adams Celebrates 50th
Anniversary as Recording Artist
NASHVILLE, TN. (October 9, 2007) - Rockabilly pioneer, and gospel music artist, Billy Adams, is celebrating his 50th anniversary as a recording artist. His signature song, "Rock, Pretty Mama," was released on Quincy Records, in November 1957.
In the month of October, Adams will be featured in the Public Radio International (PRI) series, Whole Lotta Shakin'. The series comprises ten one-hour documentaries that explore the artists and artistry of rockabilly - the foundation of rock and roll. Adams is the first voice heard in the "teaser" at the beginning of every show, along with Barbara Pittman, Carl Perkins, Janis Martin and Eddie Cochran. He is quoted in the series opener, "Good Rockin' Tonight," and his story is told in the fourth installment, "Rebels with Guitars."
Also in October, Adams will fulfill a lifelong dream when he and his band, The Rock-A-Teers, will perform in the Rotunda of the Country Music Hall of Fame and Museum, at "Rhythm of the Road," the 12th Annual International Adopt-A-Highway Association Conference, on October 25. The concert will also feature the reunion of Mountain Harmony, a vocal trio comprised of his three daughters, Tina, Janetta Darlene, and Teresa.
Adams has already gotten a good jump start on his anniversary festivities. He recently returned to England for a third time where he performed two successful shows at the Americana International Festival, in Newark, Europe's largest "American lifestyle" music and cultural event. Adams delivered the goods to his rockabilly and rock 'n' roll fans during the first show, and it was a proud moment for him he introduced daughter, Janetta Darlene to his European fans, who welcomed her with open arms. For his gospel show, Adams had the crowd singing along with him when he and his group performed as special guests on George Hamilton IV's annual Sunday morning concert.
In the late-50's, Adams released a series of rockabilly and rock 'n' roll recordings on Quincy, Dot and Nau-Voo Records. Including "Rock, Pretty Mama," his best-known recordings from that era include, "You Heard Me Knocking," "You Gotta Have A Duck Tail," and "Return Of The All American Boy." In the early 60's, Adams received his calling into the ministry, where he concentrated his efforts on writing and recording gospel music. In addition to dozens of single and album releases of his own, Adams' material has been recorded by numerous artists, including The Happy Goodman Family, who took his song, "I Saw The Man" to the top of the gospel charts in 1974.
Until recently, Adams' contributions to early rockabilly and rock 'n' roll had been overlooked - and due to a mix-up with another artist by the same name, he was believed to be deceased. Adams put those rumors to rest when he released his 2000 rockabilly "comeback" record, Legacy. With that, music scholars and fans from Europe and the U.S. began to rediscover his early music. In 2002, he was the focus of a career retrospective, Rockin' Thru The Years, issued on Sanctuary Records. Since then, he has been featured on several major label compilations, alongside legendary figures such as Elvis, Roy Orbison, Jerry Lee Lewis and others. Musicologist Colin Escott summed Adams up best in the liner notes of Rockabilly Riot: "He is now one of the great exponents of rockabilly from the golden era."
Adams also continues to spread his ministry; he currently pastors The Word Church of God in Lewisburg, TN, and he was recently ordained as a Bishop.
For more information about Billy Adams please visit his
Rockabilly Hall of Fame web page.
For more information about the PRI series "Whole Lotta Shakin'":
http://www2.pri.org/infosite/programs/_specials/limited/wholels/index.cfm?fa=PRprogdesc
*Photo credit: Patti Doyal - CDA Promotions
Lou Hobbs Dies After
Parkinson's Battle
September 2O, 2007 -
For decades, Rockabilly Hall of Fame® inductee Lou Hobbs was a musical representative
of Cape Girardeau and Southeast
Missouri.
His recordings hit the national country charts, and Hobbs gained widespread media
attention for his song about the area's constant earthquake threat in the context of Iben
Browning's 1990 prediction of an increased risk of a major earthquake on the New Madrid
fault line.
Now the Southeast Missouri fixture that was Lou Hobbs is gone. The musician died Thursday
at Southeast Missouri Hospital following a battle with Parkinson's disease that lasted
more than a decade.
Hobbs was born Oct. 11, 1941, into a poor family. He learned to play guitar as a teenager,
following in the footsteps of his musical mother, Ruby. By the late 1950s he had joined
fellow Southeast Missouri native Narvel Felts of Malden, touring the country performing a
new style of music called rockabilly. He would later be inducted into the Rockabilly Hall
of Fame.
Hobbs split from Felts and start his own band, continuing to play the rockabilly style he
latched onto as a teenager. Several of his recordings hit the U.S. country charts in the
1980s, and the late 1990s and early 2000s saw Hobbs' music hit the Top 40 of the European
independent music charts. In 1986, Hobbs started his own TV show, aired on KFVS12, on
which he performed and interviewed famous artists like Johnny Cash, Kris Kristofferson,
George Jones and Randy Travis. The show was aired in other markets, as well, and stayed on
for years, making Hobbs a familiar face to locals.
Even after Parkinson's began taking its toll on his motor skills, Hobbs never stopped
doing what he loved, said KFVS marketing director Paul Keener.
In 1990, Hobbs gained widespread attention for his song "Living on the New Madrid Fault
Line," inspired by Browning's prediction.
Most people familiar with Hobbs knew him through his music, but those with a closer
relationship said his personality was largely defined by a philanthropic spirit. Every
Christmas Hobbs would anonymously "adopt" a family to provide with food and gifts, said
daughter Ruby Voshage.
In that spirit of generosity Hobbs' family is asking that memorial donations be made to
the food pantry at the Red Star Baptist Church, one of Hobbs' favorite charities.
- Matt Sanders, Southeast Missourian
Janis Martin R.I.P.
She passed away at 4pm Monday, September 3, 2007.
Rockabilly artist,
Janis Martin had been diagnosed with terminal
cancer and it had spread all over her body.
Her husband Wayne Whitt has said that she was napping most of the
day in a hospital bed at her home in Danville, VA.
Janis had been suffering from severe headaches over
the past several months so she found it necessary to cancel her
recent booking at the Americana Festival in England. The headaches
turned out to be stress related from all the grief she had to
endure from losing her son Kevin who passed away in January of this
year. Recently when a large tumor appeared on her shoulder, Janis and
Wayne headed back to the doctors for tests. The tests revealed that
she has a very aggressive type of cancer and spreaded all over
her body.
She
gave so much to the world of music and to her fans both here in
the US and in Europe and the rest of the world. To read further about
her career, you can google her name or click on this link:
http://www.myspace.com/femaleelvis or
http://www.history-of-rock.com/janis_martin.htm
Cards can be sent to her home at this address:
Janis Martin and Wayne Whitt
2217 Mount View Rd.
Danville, VA 24540
"Tex" Davis Dies at 93
HENDERSONVILLE, TN, August 30, 2007 -
Sheriff Tex Davis, whose efforts as a songwriter, manager and promoter altered rock 'n' roll and country music history has died.
He was 93, and had recently been released from the hospital after a long period of declining health.
Davis managed Vincent to popularity, and later he took a job as promotion man at Monument Records in Nashville, where he pitched
now-classics from Kris Kristofferson, Dolly Parton, Jeannie Seely and many others to radio stations.
All of this from a man born in Connecticut as William Douchette.
Douchette became "Sheriff Tex Davis" quite suddenly one day, after WLOW radio in Norfolk, Va. gave him a job as disc jockey for
a country music show. "Douchette" didn't sound terribly country, and the station ran an introduction with the sound effect of a
horse galloping. When the horse sounds stopped, the nervous disc jockey improvised, "This is Sheriff Tex Davis here," and the name stuck.
In 1954, Mr. Davis opened Norfolk station WCMS, where he did disc jockey work and also booked Grand Ole Opry acts into
the Norfolk Arena.
Capitol Records producer Ken Nelson instructed Davis to bring Vincent and his band, The Blue Caps, to Nashville to record
at Owen Bradley's studio. The result was an enduring classic that is now part of rock 'n' roll's DNA. It has been covered by John Lennon, the
Everly Brothers, Jerry Lee Lewis and hundreds of others.
Davis' contributions weren't limited to music. He also served his country in World War II.
He is survived by his wife, Betty, daughter Bobbi and son Michael (an in-demand Nashville
steel player and harmonica player).
ED NOTE: I attended the visitation for Sheriff Tex Davis on Saturday,
September 1, 2007 at the Our Lady of Lake Catholic church in
Hendersonville, Tennessee.
Many of Bill's family and friends gathered to say good-bye. Leave to Bill
to be a "character" until the end. He seemed comfortable in his casket,
wearing a gray sweatshirt with "Over the Hill" across the front along
with a pair of dark blue sweat pants. He was at peace. His son Michael
played steel guitar while a group of Bill's favorite musicians backed him up. -
Bob Timmers
Sheriff Tex Davis family photo collage #1
Sheriff Tex Davis family photo collage #2
Kicking Off the Elvis Week in Memphis as the
RHOF Inducts
Elvis Presley
The Rockabilly Hall of Fame® waited for the right time to induct and show appreciation for
rockabilly pioneer Elvis Presley, as they wanted the award to go directly to the Elvis Presley estate.
Bob Timmers, founder of the Rockabilly Hall
of Fame® (in 1997) presented a special "Lifetime Achievement/Induction" Plaque to long time friend of
Elvis and his family, Patsy Andersen, who worked at Graceland for 22 years. Elvis' cousin, Jerry Presley,
was also at the RHOF presentation.
The award will be passed on to Priscilla Presley.
In turn, Patsy presented the Rockabilly Hall of Fame® with a beautiful recognition plaque from the
"Elvis' Favorite Gospel Music Show".
This event took place Sunday night August 12th 8pm at the New Daisy Theater on Beale Street in Memphis.
The show's theme, The King's Favorite: GOSPEL Music,
featured: The Stamps Quartet, The Blackwood Brothers," Elvis' cousin Jerry Presley,
and many other surprise guests.
Elvis fans know how much gospel music was a part of The King's life.
See event photos
Gene Vincent:
The Outtakes
(6x CD boxset & 76 page booklet - this set comes in the small 5"
x 5" box like the Janis Martin & Everly Brothers from the same series. 226 trax - Hardcore
Gene Vincent fans ... and there are thousands of them out there ... have waited all their
lives for this collection.
Gene died in 1971, and this is the closest his diehard fans
will ever get to finding six new CDs of their man in his prime ... and the closest they'll
ever get to attending a Gene Vincent session. Yes, it's outtakes, but it gives us a chance
to hear Gene Vincent's artistry in-the-making. You're there, up in the control room
listening to him try a song one way, then another. You can second-guess the producers and
listen to the musicians talk it through. If you know every note of the finished song, you
can hear how Gene and the Blue Caps got there and share in the decisions along the way.
This is truly it. The SCREAMING END. There are no more Gene Vincent recordings to be
released in any way, shape, or form. Diehard fans, musicologists, musicians, and old time
rock 'n' rollers looking for something new have waited too long for this.
The sessions
date from October 1958 to March 1967. All known Gene Vincent outtakes are included. Only a
tiny fraction of this material has ever been issued before. The highlights include eleven
songs from his final sessions with the legendary Blue Caps spread over CDs 1 & 2,
including favourites like You Are The One For Me, Rip It Up, Maybelline and Gone, Gone,
Gone. Multiple takes of eight songs from his Capitol Studios sessions of January 1961 are
included on CDs 2-4, while CDs 4-5 feature Gene Vincent recording in London 1961-63 (six
titles from Abbey Road Studios, two from Olympic Sound Studios, and one from a JOE MEEK
session for the 'Live It Up' movie soundtrack). The final CD contains material from his
1966-67 sessions in Hollywood for Challenge Records.
More information here.
SHIPPING DATE: AUGUST 13, 2007 (estimated)
STREET DATE: SEPTEMBER 03, 2007
ARTIST GENE VINCENT
TITLE The Outtakes LABEL Bear
Family Records CATALOG # BCD 16842
ISBN-CODE 978-3-89916-330-8
FORMAT 6-CD digibox with 76-page booklet
TRACKS 226 PLAYING TIME 451:32
New Scotty Moore CD
Scotty Moore presents the Mighty Handful's debut
CD, "Volume 1". It will be available online sometime in late August but if you are fortunate
enough to be going to either of the bands performances in August '07 at the Last Man
Standing show in Memphis you'll have a chance to pick up one of the first 1000 copies
(while they last) that will be pre autographed by all members (except for Boots, may he Rest In Peace).
In the meantime check out their new myspace page by click in Scotty's myspace top
freinds list or just going here
http://www.myspace.com/themightyhandfull.
You can also sample all the tracks at
http://scottymoore.net/mightyhandful.html
Dedication at the birthplace of Rock & Roll + FREE CONCERT
Rock This Joint
Historical Plaque
Gloucester City, NJ. The birthplace of Rock & Roll! Sounds good, doesn't it?
Well it's also very true. A historic marker will be dedicated saying so.
It's been a long time coming, but thanks to longtime Haley Fan and Rock & Roll
enthusiast Wayne Young, it's finally coming to pass.
Wayne has been blowing this horn for many years, and finally he's getting the
support from the City, State and many Rock & Roll historians to make it a reality.
On Saturday July, 14th from 2pm to 7pm at the corner of Market & Broadway in Gloucester City,
Rockabilly favorites Tommy Conwell and Full Blown Cherry along with Rock & Roll Legends
Charlie Gracie and Bill Haley's Original Comets will hit the stage to perform
their favorite tunes in memory of Bill Haley's early days performing at The Twin Bar
creating what we know now as Rock & Roll.
The entire concert will be broadcast live on WNJC Radio 1360 AM by radio
personality King Arthur. It was back in 1951, in an 18 month stint at The
Twin Bar on Broadway & Market Streets in Gloucester City, NJ, that Bill
Haley & The Comets (then known as The Saddlemen) architected the style
of music known as Rock & Roll. Coming out of the experience with a little tune
titled, ROCK THE JOINT (the precursor to Rock Around The Clock), and with the opening
line "WE'RE GONNA TEAR DOWN THE MAILBOX, RIP UP THE FLOOR, SMASH OUT THE WINDOWS AND
KNOCK DOWN THE DOOR", it's obvious who the pied pipers of Rock & Roll were
and still are.
The Rock & Roll heroes to be honored on the mural and historic marker are as
follows: BILL HALEY, BILLY WILLIAMSON, JOHNNY GRANDE, MARSHALL LYTLE AND DANNY
CEDRONE (although Cedrone was never an official member of the band, he was a
very important part of The Saddlemen / Comets sound. Playing both guitar solos
in Rock The Joint and Rock Around The Clock.
Cedrone also performed at The Twin
Bar many times with his band The Esquire Boys and with his three little girls
The Cedrone Sisters before his untimely death in 1954. Danny Cedrone's guitar is
on display at The Rock & Roll Hall Of Fame in Cleveland since 1998.
The Cedrone Sisters, Marie, Theresa and Janet will be present to represent
their daddy). Long Live Rock & Roll!
FREE CONCERT
Date: Saturday July, 14th 2007
Time: 2pm to 7pm
Place: Jack's Twin Bar
200 S. Broadway (@ Market St)
Gloucester City, NJ 08030
Danny Vanore (215) 336-5101 Cell (215) 847-2883
Janet Cedrone (215) 925-5795
Bo Diddley Update
June 20, 2007 - We are delighted to be able to report that BO DIDDLEY has now been discharged from
Shands Rehab Hospital in his home town of Gainesville, FL, where he had been undergoing
speech and occupational therapy since suffering a stroke after a show in Council Bluffs,
IA, May 13th.
Fans can continue to send their well wishes to him at postmaster@tciartists.com or
to TCI (Talent Consultants International, Ltd.), 105 Shad Row, 2nd Floor, Piermont,
NY 10968 or via the BO DIDDLEY-The Originator website at surfsinkorswim@yahoo.com
or via the website's Guestbook,
located at http://members.tripod.com/~Originator_2/guestbook.html
Johnny Cash.Com Radio
Bill Miller of the Official Johnny Cash Web Site,
www.johnnycash.com
announced that
Johnny Cash.Com Radio, a streaming weekly
broadcast featuring interviews with Cash family members, associates, friends and fans
began Wednesday, June 13th.
In addition to the intimate interviews, each one hour broadcast will feature discussions
of Johnny Cash's nearly five-decade long career, music, sound bites from the Man In Black
himself, interactive contests and more.
"We've operated JohnnyCash.Com for nearly eleven years and decided that it was time to
take the already technically cutting-edge site and bring it to the next level," said
Miller. "The site attracts hundreds of thousands of visitors each month and we want to
keep the experience fresh and relevant despite the fact that Johnny passed away four years
ago this coming September."
The debut program features Johnny and June Carter Cash's son, John Carter Cash, who
discusses his new book Anchored in Love: An Intimate Portrait of June Carter Cash,
which chronicles the struggles and triumphs his parents experienced during their careers
and marriage. "It's a revealing story of two people who loved each other deeply,
overcoming the adversities and pain among triumphs and stellar careers along the way,"
Miller said.
The programs will stream from the Cash web site and will be archived for later listening
as well, according to Miller.
Listeners will be able to participate in contests for free Johnny Cash merchandise and
memorabilia in each program.
New Danny Gatton CD
Look for a new addition this summer to the growing catalog of Danny Gatton live CDs in
LIVE 1977: THE HUMBLER STAKES HIS CLAIM, which is due on July 10, on Tom Principato's
Powerhouse Records label
www.powerhouserecords.com.
For those who want tibdits, excerpts have been posted on
www.myspace.com/powerhouserecords2, while the CD packaging also comes with liner notes
written by Ralph Heibutzki, author of UNFINISHED BUSINESS: THE LIFE & TIMES OF DANNY
GATTON (Backbeat Books).
Instead of a slick soundboard recording, LIVE 1977 allows you to hear Danny in the
Washington, D.C. and Maryland-area clubs where he laid down the markers for his
underground legend.
The sources come from recordings by sound engineer Chris Murphy, "made with microphones
placed in the audience," Powerhouse's press release notes, in part, "so there is a feeling
of being right there in the club with glasses clanking and audience responses."
Highlights include "Sweet Georgia Brown," as well as mood pieces like "Canadian Sunset,"
blues shuffles ("Walkin' With Danny"), white-knuckled showcases ("Fingers On Fire," "Nit
Pickin'"), and two versions of "Harlem Nocturne," the '40s standard that remained one of
Danny's showpieces to the end.
For more details, visit www.powerhouserecords.com/, http://bigmo.com/, or
chairmanralph.com (official site for the UNFINISHED BUSINESS biography).
Never Before Seen Elvis Footage with Sound
Tudelo's Own Elvis Presley
CONTAINS: Recently discovered UNRELEASED FILM with sound of Elvis performing 6 songs live
in Tupelo Mississippi 1956. Further unseen footage contains backstage, evening
show, parade and many more. PLUS: Interview with Elvis at the 1957 Tupelo show, NEVER BEFORE HEARD!
and includes footage from the show.
The DVD Audio section contains 21 tracks of the two shows from Tupelo
1956 concerts.
SPECIAL LIMITED EDITION BONUS: A 200 page detailed book with hundreds of
unpublished photographs, rare materials and artifacts from the Tupelo Events.
http://www.memphisrecordingservice.com/tupeloLE.htm.
State of Rockabilly Hall of Fame® Report as the ...
Rockabilly Hall of Fame®
Celebrated Its 10th
Created on March 21, 1997 by Bob Timmers, The RHOF
has a seen a steady growth in content and popularity.
Never showing a profit makes it difficult at times, but we
continue to push forward each day to expose and to expand this
"Free Internet Rockabilly Public Library" to the world.
The actual Celebration Show was at
Viva Las Vegas, Friday, April 6, 3-7 pm in the Gold Coast Hotel's
main floor Showcase Room.
What drives us is to observe dozens of rockabilly
legends re-assume their careers because they have been re-discovered
through the pages of the RHOF. That, along with the fans being able
to communicate with their favorite artists on line and at shows,
is simply a wonderful experience for everyone. One of our favorite
stories is about a legend we inducted a few years back. When his 6-year-old grandson
learned that grandpa was an early "rock star", he just had to
start taking guitar lessons!
Oh, about that International Rock-A-Billy Hall of Fame in Jackson, TN
that recently issued a press release with statements that were out dated and taken out of context ...
For the record, we do not support that organization while it continues to use our U.S.
Government Registered (non-profit) Trademarked name. We initially thought we had some common ground,
but soon realized their goals and direction were much different than we were
led to believe. We sincerely apologize for any confusion this matter has caused
artists, fans and loyal readers.
Stick with us and you'll get to feel the "pluse
of rockabilly" then and now. You'll enjoy our daily news updates, features, current show
information, artists profiles, photo pages, special columns and much more.
20,000 page viewers a day indicates we may be doing something right.
Many thanks to everyone who visits and supports the
http://www.rockabillyhall.com
God Bless,
Bob Timmers
Jerry Lee Live DVD
Following the tremendously successful release of his #1 Independent charted album Last Man Standing
last fall ... on March 6, 2007, Artists First and Shangri-La Entertainment released a very special
Jerry Lee Lewis Live DVD. Jerry Lee Lewis Last Man Standing LIVE is history in the making featuring
a Rolling Stone, a couple of Jones, an Eagle and a man on a throne.
Lewis proves yet again that he doesn't get older; The Killer keeps getting bolder. For the filming
of this unique, live DVD, he gathered with friends, family and rock 'n' roll icons to perform at a
series of private shows in New York and Los Angeles. Rock 'n' roll, soul and country music legends
gathered from the world 'round to show their admiration for one of the great original song stylists
of all time. Last Man Standing LIVE is an intimate and unprecedented event in music history, which
includes interviews, as well as documentary and archival footage.
The DVD's roster of music all-stars includes 11 Grammy winners with 36 awards among them, six
members of the Rock and Roll Hall of Fame, one member of the Rockabilly Hall of Fame, and three
members of the Country Music Hall of Fame. The guest artists are Willie Nelson, Tom Jones, Chris
Isaak, Norah Jones, Buddy Guy, Solomon Burke, Merle Haggard, Kid Rock, Kris Kristofferson, Ron Wood,
Don Henley, and John Fogerty.
Lewis and his peers were backed by an all-star band throughout the filming of these performances
including Jim Keltner on drums, Rick Rosas on bass, Nils Lofgren on guitar and pedal steel, Ken
Lovelace and Jimmy Rip on guitar, Ivan Neville on organ and piano, and Maxayn Lewis, Stacie Plunk,
and Charlotte Gibson singing backup. Keltner is a legendary drummer who has worked with Rock 'n'
Roll's all time greats including John Lennon, George Harrison, Ringo Starr, Eric Clapton, Joe
Cocker, the Rolling Stones, Bob Dylan, Neil Young and more. Lofgren is a well respected solo artist
in his own right who has worked with some of rock's most celebrated acts including as a member of
Bruce Springsteen's E Street Band. Neville, who is part of New Orleans' most famous musical family,
is an accomplished solo artist and full time member of the Neville Brothers with his father Aaron.
Rip, who produced Lewis's Last Man Standing, is one of the most sought after session guitarists and
producers who can be heard on albums by Mick Jagger, Rod Stewart, and Debbie Harry. Last, but not
least, Lovelace is a highly regarded Nashville session guitarist who will mark his 40th year as
Jerry Lee's bandleader this May.
Lewis' critically acclaimed album Last Man Standing debuted at #1 on the Billboard Top Independent
Album Chart, at #4 on the Billboard Top Country Album Chart and at #26 on the Billboard Top 200
Album Chart in the first week of its release. Last Man Standing, which has sold over 325, 000 to
date worldwide, ended 2006 on Billboard's Top 25 Independent Albums Of The Year. The star-studded
album, which features 15 members of the Rock 'n' Roll Hall of Fame including Lewis himself, has
shipped nearly 400, 000 thousand units and hit #6 on the Americana Radio Charts. The Killer has made
his comeback.
Superstar artists performing duets with Jerry Lee Lewis on Last Man Standing are: Jimmy Page ("Rock
and Roll"), B.B. King ("Before The Night Is Over"), Bruce Springsteen ("Pink Cadillac"), Mick Jagger
on vocals and Ronnie Wood on pedal steel guitar ("Evening Gown"), Neil Young ("You Don't Have To
Go"), Robbie Robertson ("Twilight"), John Fogerty ("Travelin' Band"), Keith Richards ("That Kind of
Fool"), Ringo Starr on vocals ("Sweet Little Sixteen"), Merle Haggard ("Just a Bummin' Around"), Kid
Rock ("Honky Tonk Woman"), Rod Stewart ("What's Made Milwaukee Famous"), George Jones ("Don't Be
Ashamed of Your Age"), Willie Nelson ("Couple More Years"), Toby Keith ("Ol' Glory"), Eric Clapton
("Trouble In Mind"), Little Richard ("I Saw Her Standing There"), Delaney Bramlett ("Lost Highway"),
Buddy Guy ("Hadacol Boogie"), Don Henley ("What Makes The Irish Heart Beat"), Kris Kristofferson
("The Pilgrim").
An Open Letter
From Billy Lee Riley
February 10, 2007 - I don't know if you have heard this or not because I have had calls from fans
who think I just recently had an accident. So, I'd like to let them know the whole story.
I was injured two years ago by a fall in a major department store. It happened on September 11th,
2004. I was operated on and had a complete hip replacement. It was fine for about 6 months, but then
it just fell apart. So, in December, 2005 I had to have another complete hip replacement. Since
then, I have been in constant pain. I have been to every kind of doctor there is, but no one can
stop the pain. I think it may be because two years prior to the fall, I had two botched back
surgeries, and there is some nerve damage from them.
Anyway, I took The Big Department Store to federal court in January, 2007, and, as expected, I
lost. They walked off with no liability, even though it was a case of 100% negligence on their
part. This is a legal battle I have been fighting for over two and a half years, but you just can't
win against the big, billion dollar Companies. Now I am stuck with thousands of dollars in doctor
and hospital bills. I was only able to do four local gigs last year and can't pay my doctor bills
on that kind of money.
I had booked a show in England with Jerry Chatterbox for next June. He has known about my medical
problem for a long time and wanted to do a benefit for me. The benefit in England will be held next
May. Later, a friend of his told a friend in California, and then Jerome asked me if he
could do a benefit in California. That one will be held in Los Angeles on Sunday, the 18th of
February. So, if you have seen anything on the Internet about benefit concerts, this is why.
There has been a donation bank account set up in England with the HSBC BANK.
This a treasure account in which there is no charge, no check book and money can't be drawn out.
It stays there until after the benefit, and then only,
Jerry Chatterbox is the only one who can draw
it out and make the wire transfer. I want to thank in advance all of my fans who contribute.
Please be so kind as to pass this message on so that all of my fans and
friends will know just why these
benefits are happening.
Also, I will be in Green Bay this year. I might be there with my cane, but I will be there. I want
to thank my fans and friends from the bottom of my heart for everything they do - I love each and
every one of them. I will be booking more shows.
God Bless you all,
Billy Lee Riley
mygal68@yahoo.com
RELATED: Billy Lee Riley Benefit
From Jerry Chatabox February 07 ...
As you may be aware Billy Lee Riley recently suffered a bad fall and broke
his hip. He went to court to try to get compensation for his accident but
some slick corporate lawyers made sure that Billy will not receive a cent
towards his operation, and he is now facing huge legal and medical bills, as well
as a painful recovery.
I was appalled to hear about this. So I rang Billy and suggested a Benefit
Gig. The Rockabilly Rave has already sent immediate financial help to Billy
and Joyce and has set up a Billy Lee Riley Benefit Account in the UK, with the
HSBC Bank, but there is much more to be done. Anyone wishing to make a
donation however big or small, can do so by internet or phone banking or pay
directly into the following account at any branch of HSBC.
Name: Billy Lee Riley Benefit Account
Sort Code: 40-37-35 Bank Account No: 81390120
There are no bank charges for this account, so you know that every single
penny donated goes to Billy and Joyce Riley. The amount raised will be
displayed at the Rockabilly Rave in June.
The Benefit Gig in the UK, will be held at the Boston Arms, Junction Road,
Tuffnell Park, London, NW5, on Saturday 19th May. A night to celebrate Billy
Lee's Sun sound with live music provided by The Infernos and guest singers
Paul Ansel (Number 9), Gary Allen (The Sureshots), John Lewis (The Rimshots),
Bob Butfoy (Jack Rabbit Slim), Miss Mary Ann (Ranch Girls), Clive Osborne
(Surfin Gorillas), Kav Kavanagh (Kav and the Cavemen), Lynette Morgan (Blackwater
Valley Boys), Darrel Higham (The Enforcers), Dave (Radio Ramblers) plus more
to be announced, all performing for no fee all profit to go into the Billy
Lee Riley account.
Billy is a proud and decent man and in typical hard as nails fashion never
asked for help. His music has been part of the soundtrack of our lives. He
saved us from listening to modern rubbish we refer to his rockin tracks as
'our' music now lets pay him what he's been owed since the 50's.
Use this Rockabilly
Hall of Fame form
to donate to Billy Lee Riley
|
All dollars go
directly to Billy Lee
|
These donations are processed through the
Rockabilly Hall of Fame via Visa or MasterCard and are
considered tax deductible (to US residents).
Bill Haley Museum Opens
In Munich, Germany
For many years now, Hydra Records of Munich, Germany, has been in the forefront of promoting the
rockin'
music and influence of Bill Haley and his Comets. To take this a logical step forward, they
are proud to
announce the establishment of a museum devoted to all matters relating to Bill Haley.
With the song 'Rock Around The Clock', Bill and his Comets not only launched a musical revolution
but changed youth culture forever. All in all, the outfit has sold in excess of 135 million
records
and are still rock 'n' roll leaders. It is not exaggerating to state that they are one of the most
important bands in musical history.
In their Bill Haley museum, Hydra Records has on display a never before seen
quantity of their records, original documents, music instruments, gold records,
awards, movie posters, pictures and much more relating to the genius that was Haley.
There are also additional exhibits concerning Bill's musical contemporaries and the musical styles
involved. In short, this is a breath taking in-depth overview of one of the leading figures
of rock 'n' roll. It has all been carefully set up to entertain and be of interest to anyone
who has an interest in music, both past and present.
The legend and importance of Bill Haley and his Comets cannot be over estimated and should
be preserved in our memories forever.
Museum concept:
Dr. Winfried GrŸndel
Klaus Kettner
Elvis: The Ed
Sullivan Shows
Image Entertainment, Inc. celebrates the
legend of ELVIS PRESLEY with the first-ever DVD release of the undisputed king of
rock 'n' roll's historic earth-shattering performances in
ELVIS PRESLEY: THE ED SULLIVAN SHOWS.
This 3-disc special edition DVD set is availble now.
Produced by Grammy and Emmy-award winning producer Andrew Solt (Imagine: John Lennon, his Is Elvis,
The History of Rock 'n' Roll, Heroes of Rock 'n' Roll), the DVD consists of the three complete Ed
Sullivan Shows on which Elvis made rock 'n' roll and TV history. Elvis first appeared on the show
September 9, 1956 and sent shockwaves through a repressed post-war America -- effectively opening a
generational rift between parents and their children -- with his soulful singing, sexual hip
gyrations and raw rock 'n' roll energy. Elvis attracted a record-breaking audience of over 72
million people -- more than 80% of the television-viewing audience -- which equaled one of every
third man, woman and child in the U.S. at that time. Viewing Elvis Presley's three appearances on
the Ed Sullivan Show in their entirety frames the context of the country's appetite for
entertainment in 1956. By glimpsing this time capsule Elvis's raw, confident and casual performances
illustrates why he was so charismatic and how he captured the imagination of the world.
On his first Sullivan appearance, Elvis performed from CBS Television City in Hollywood while he was
on the West Coast shooting his first feature film Love Me Tender. Although the movie was two months
away from release and the single was not available in stores, Elvis debuted the song "Love Me
Tender" that night on the show; he followed it up with "Don't Be Cruel" (with the Jordanaires),
"Ready Teddy" and "Hound Dog." Elvis returned on October 28, 1956 this time in New York , triggering
ecstatic screams from the largely teen audience while performing his current hits "Don't Be Cruel,"
"Love Me Tender" and "Hound Dog." This time around, he added Lieber & Stoller's "Love Me" to his
playlist. Elvis's inspired performances as well as his growing reputation for hip shaking and
sensual gyrations convinced CBS's censors that the Ed Sullivan Show should film him only above the
waist during his third and final appearance on January 6, 1957. On this final Sullivan show, Elvis
performed "Hound Dog," "Heartbreak Hotel," "Love Me Tender," "Don't Be Cruel," "Too Much," "When My
Blue Moon Turns To Gold Again" and "Peace In The Valley." After the show went off without incident,
Ed Sullivan proclaimed him, "A real decent fine boy." Sullivan, in his inimitable style, further
thanked Elvis by adding, "We've never had a pleasanter experience on our show with a big name than
we've had with you ... You're thoroughly all right." This was the last time Elvis would appear live
on American television.
Since the DVD features the three Sullivan shows in their entirety, there are other historic variety
show appearances by guests such as Carol Burnett, novelty artist Senor Wences, various Broadway
stars, athletes such as boxer Sugar Ray Robinson, tennis great Don Budge, baseball legend Jackie
Robinson and numerous comedians. Each of the three shows run about one hour and all include the
original commercials, which aired as part of the show's live broadcast. The 3-disc special edition
DVD features re-mastered Dolby Digital 5.1 audio as well as the original mono soundtrack. The
Kinescope video has been enhanced by a breakthrough technical process -- created by a company called
Live Feed -- resulting in an optimal sound and visual experience.
Special bonus features include: a rare color 8mm home movie shot in 1955 which is the first-ever
recorded footage of a very young Elvis (age 20) who was not yet managed by Col. Tom Parker; special
Elvis moments including an appearance by comedian John Byner; and home movies of Elvis and Priscilla
with some of the earliest shots of their daughter Lisa Marie. In addition, the package includes
insightful interviews and reminiscing with legendary producer Sam Phillips of Sun Records, Gordon
Stoker of the Jordanaires, Marlo Lewis, producer of these three historic Ed Sullivan Shows, renowned
television host Wink Martindale; High School buddy and Memphis DJ George Klein and Elvis's close
friend and Memphis Mafia member Jerry Schilling, author of Me And A Guy Named Elvis. The impressive
package also includes a collectible booklet about Elvis on Sullivan featuring liner-notes written by
pre-eminent rock scribe, Greil Marcus.
2nd Sam Phillips B-D Show
in Florence, AL, Jan 2-6
FLORENCE, AL - Jerry Phillips could celebrate his late father's birthday and the musical
legacy he left behind anywhere in the country.
Memphis, Tenn., springs to mind since that is
where Sam Phillips founded Sun Records, which gave birth to the music of rock 'n' roll
pioneers such as Elvis Presley, Jerry Lee
Lewis, Roy Orbison, Carl Perkins, Johnny Cash, Charlie Rich and blues artists B.B. King and Howlin'
Wolf.
But Phillips chose Florence and the Shoals.
"Sam was always proud of his hometown of " Phillips said.
"He always spoke of his upbringing here."
The second Sam Phillips Music Festival will feature a variety of musical entertainment and other
events
honoring "The Father of Rock 'N' Roll."
"Sam Phillips meant so much to our community and city," Florence Mayor Bobby Irons said. "Sam
Phillips brought so
much to the music industry and our heritage here. It's something we're so proud of."
Jerry Phillips said last year's musical events, which culminated with a concert by Phillips protégé,
Jerry
Lee Lewis, sold out. Phillips expects more sellouts for the 2007 festival which includes
performances by Waynesboro, Tenn.,
native and country music artist Mark Collie and Jason D. Williams, a rock 'n' roll pianist who has
been compared to a young Jerry Lee Lewis. Phillips said wherever the Muzik Mafia play, other
entertainers such as Kid Rock and Hank Williams Jr. have been known to make surprise appearances.
Muzik Mafia will headline the event. "You never know who will show up," he said.
This year's festival will also feature the "Rock Shop," a room in the Marriott Convention Center
where
patrons can purchase event and entertainer memorabilia. Tickets for the festival go on sale
today at Big River Broadcasting's office on Sam Phillips Street or online at
WQLT.com, WSBM.com and WXFL.com.
SAM PHILLIPS CELEBRATION SCHEDULE
Jan. 2: 5 p.m., Proclamation by the Florence City Council
Jan. 3: 11 a.m., Florence-Lauderdale Public Library, Sam Phillips Birthday Party
11-11:30 a.m., piano concert featuring Christine Lovelace Gentry
11:30 a.m.-noon, birthday cake and fellowship
Noon-1 p.m. conversations on Sam hosted by Terry Pace
8 p.m. Marriott Shoals Hotel & Conference Center, music by Eric Heatherly
Jan. 4: 8 p.m., "Muscle Shoals to Music Row Live," live radio simulcast/
Internet Webcast, Holiday Inn, Sheffield
Jan. 5: 8 p.m., The Official "Sam Jam" featuring legendary blues artist Jimmy Hall, the
former
vocalist for Wet Willie, The Keynote Room, Florence
Jan. 6: "The Sam Phillips Music Celebration," Marriott Shoals Resort and
Conference Center, Florence
6-8 p.m. acoustic music rooms
8-8:45 p.m., Mark Collie
9-9:45 p.m., Jason D. Williams
10 p.m.-until: The Muzik Mafia, featuring special guests
Sam's RHOF Page
Sam's Tribute Page
Two Haley Movies to DVD
The two films Bill Haley & His Comets made in 1956 are finally coming to
DVD in North America.
Sony Pictures has announced that it will be releasing Rock Around the
Clock and Don't Knock the Rock to Region 1 (North America) DVD on January 23, 2007. The
films were produced by Columbia Pictures, which Sony purchased some years ago, and will be released
together on one disc.
This release marks the first official home video release of these films, as
Columbia/Sony never issued an official release of the films in the VHS tape or laserdisc format,
although unofficial releases in these and DVD formats have been circulating for years.
Rock Around the Clock is considered the first true rock and roll
film. When it was released it was a major hit and was banned in some jurisdictions due to the fact
it sparked rowdy behavior (such as dancing) in theaters. In the UK Queen Elizabeth II reportedly
requested a private showing of the film. Its follow-up, Don't Knock the Rock was produced
almost immediately but was not as successful and is chiefly remembered as the film that introduced
many to the music of Little Richard.
Co-starring with Haley and the Comets in Rock Around the Clock are
the Platters and Freddie Bell and the Bellboys, while Alan Dale, the Treniers and the aforementioned
Little Richard appear with Haley in the sequel. DJ Alan Freed appears as himself in both motion
pictures.
In both films, Haley and the Comets lip-synch to numerous Decca recordings,
including "See You Later Alligator", "Rip it Up", "Hot Dog Buddy Buddy", "Rock-a-Beatin' Boogie",
"Calling All Comets" and, of course, "Rock Around the Clock" and "Don't Knock the Rock" (although
the latter is heard only over the opening credits of the film; Alan Dale sings the song during the
movie itself). Of note to Haley completeists is the fact that the performances of the instrumentals
"Rudy's Rock" (in Rock Around the Clock) and "Goofin' Around" (in Don't Knock the
Rock) are unique to these films and were never released on record by Decca or anyone else. Hydra
Records of Germany included off-air recordings of the two film tracks on its CD On Screen in
the late 1990s, but no in-studio recordings have ever been released. Haley also gets to do a little
bit of acting in the two films.
The listing for the release on Amazon.com does not indicate if there will be
any extra features on the DVD.
-Alex Frazer-Harrison
Ruth Brown, 78, R.I.P.
November 18, 2006 - Ruth Brown, the gutsy rhythm and blues singer whose career extended to
acting and crusading for musicians' rights, died on yesterday in Las Vegas. She
was 78 and lived in Las Vegas.
The cause was complications following a heart attack and a stroke she
suffered after surgery, and Ms. Brown had been on life support since Oct.
29, said her friend, lawyer and executor, Howell Begle.
Ms. Brown sustained a career for six decades: first as a bright, bluesy
singer who was called "the girl with a tear in her voice" and then, after
some lean years, as the embodiment of an earthy, indomitable black woman.
She had a life of hard work, hard luck, determination, audacity and style.
Sometimes it was said that R&B stood as much for Ruth Brown as it did for
rhythm and blues.
As the 1950s began, Ms. Brown's singles for the fledgling Atlantic Records -
like "(Mama) He Treats Your Daughter Mean" and "5-10-15 Hours" - became both
the label's bankroll and templates for all of rock 'n' roll. She could sound
as if she were hurting, or joyfully lusty, or both at once. Her voice was
forthright, feisty and ready for anything.
After Ms. Brown's string of hits ended, she kept singing but also went on to
a career in television, radio and movies ( including a memorable role as the
disc jockey Motormouth Maybelle in John Waters's "Hairspray") and on
Broadway, where she won a Tony Award for her part in "Black and Blue." She
worked clubs, concerts and festivals into the 21st century.
Ms. Brown was born Ruth Weston on Jan. 12, 1928, in Portsmouth, Va., the
oldest of seven children. She made her debut when she was 4, and her father,
the choir director at the local Emmanuel African Methodist Episcopal Church,
lifted her onto the church piano. In summers, she and her siblings picked
cotton at her grandmother's farm in North Carolina. "That made me the strong
woman I am," she said in 1995.
As a teenager, she would tell her family she was going to choir practice and
perform instead at U.S.O. clubs at nearby naval stations. She ran away from
home at 17, working with a trumpeter named Jimmy Brown and using his last
name onstage. She married him, or thought she did; he was already married.
But she was making a reputation as Ruth Brown, and the name stuck.
The big-band leader Lucky Millinder heard her in Detroit late in 1946, hired
her for his band and fired her in Washington, D.C. . Stranded, she managed
to find a club engagement at the Crystal Caverns. There, the disc jockey
Willis Conover, who broadcast jazz internationally on Voice of America
radio, heard Ms. Brown and recommended her to friends at Atlantic Records.
On the way to New York City, however, she was seriously injured in an
automobile accident and hospitalized for most of a year; her legs, which
were smashed, would be painful for the rest of her life. She stood on
crutches in 1949 to record her first session for Atlantic, and the bluesy
ballad "So Long" became a hit.
She wanted to keep singing ballads, but Atlantic pushed her to try upbeat
songs, and she tore into them. During the sessions for "Teardrops From My
Eyes," her voice cracked upward to a squeal. Herb Abramson of Atlantic
Records liked it, called it a "tear," and after "Teardrops" reached No. 1 on
the rhythm and blues chart, the sound became her trademark for a string of
hits.
Ms. Brown was the best-selling black female performer of the early 1950s,
even though, in that segregated era, many of her songs were picked up and
redone by white singers, like Patti Page and Georgia Gibbs, in tamer
versions that became pop hits. The pop singer Frankie Laine gave her a
lasting nickname: Miss Rhythm.
Working the rhythm and blues circuit in the 1950s, when dozens of her
singles reached the R&B Top 10, Ms. Brown drove a Cadillac and had romances
with stars like the saxophonist Willis (Gator Tail) Jackson and the singer
Clyde McPhatter of the Drifters. (Her first son, Ronald, was given the last
name Jackson; decades later, she told him he was actually Mr. McPhatter's
son, and he now sings with a latter-day lineup of the Drifters.)
In 1955 Ms. Brown married Earl Swanson, a saxophonist, and had a second son,
Earl; the marriage ended in divorce. Her two sons survive her: Mr. Jackson,
who has three children, of Los Angeles, and Mr. Swanson of Las Vegas. She is
also survived by four siblings: Delia Weston of Las Vegas, Leonard Weston of
Long Island and Alvin and Benjamin Weston of Portsmouth.
Her streak of hits ended soon after the 1960s began. She lived on Long
Island, raised her sons, worked as a teacher's aide and a maid and was
married for three years to a police officer, Bill Blunt. On weekends she
sang club dates in the New York area, and she recorded an album in 1968 with
the Thad Jones-Mel Lewis Big Band. Although her hits had supported Atlantic
Records - sometimes called the House That Ruth Built - she was unable at one
point to afford a home telephone.
The comedian Redd Foxx, whom she had once helped out of a financial jam,
invited her to Los Angeles in 1975 to play the gospel singer Mahalia Jackson
in "Selma," a musical about civil rights he was producing.
She went on to sing in Las Vegas and continued a comeback that never ended.
The television producer Norman Lear gave her a role in the sitcom "Hello,
Larry." She returned to New York City in 1982, appearing in Off Broadway
productions including "Stagger Lee," and in 1985 she went to Paris to
perform in the revue "Black and Blue," rejoining it later for its Broadway
run.
Ms. Brown began to speak out, onstage and in interviews, about the
exploitative contracts musicians of her generation had signed. Many
hit-making musicians had not recouped debts to their labels, according to
record company accounting, and so were not receiving royalties at all.
Shortly before Atlantic held a 40th-birthday concert at Madison Square
Garden in 1988, the label agreed to waive unrecouped debts for Ms. Brown and
35 other musicians of her era and to pay 20 years of retroactive royalties.
Atlantic also contributed nearly $2 million to start the Rhythm and Blues
Foundation, which pushed other labels toward royalty reform and distributed
millions of dollars directly to musicians in need, although it has struggled
to sustain itself in recent years.
"Black and Blue" revitalized Ms. Brown's recording career, on labels
including Fantasy and Bullseye Blues. Her 1989 album "Blues on Broadway" won
a Grammy Award for best jazz vocal performance, female. She was a radio host
on the public radio shows "Harlem Hit Parade" and "BluesStage." In 1995 she
released her autobiography, "Miss Rhythm" (Dutton), written with Andrew
Yule; it won the Gleason Award for music journalism. She was inducted into
the Rock and Roll Hall of Fame in 1993.
She toured steadily, working concert halls, festivals and cabarets. This
year she recorded songs for the coming movie by John Sayles, "Honeydripper,"
and was about to fly to Alabama to act in it when she became ill.
By JON PARELES
Ruth Brown's Guestbook
"Chuck Berry at 80" Broadcast
Fans may be interested to know that to celebrate Chuck Berry's 80th birthday on October
18th, the British Broadcasting Corporation (BBC) Radio 4 network is to air a special
30-minute tribute program recorded last month in his home town of St. Louis, MO.
"Chuck Berry at 80", to be broadcast on BBC Radio 4 on Saturday (October 14th)
from 10.30am-11.00am BST (9.30am-10.00am GMT/UTC), looks back over Chuck Berry's
life and work and reflects on his ongoing popularity in the UK, where he remains a
firm favorite amongst his loyal British following and where he recorded his
international chart-topping novelty hit "My Ding-A-Ling" in concert for the
best-selling "The London Chuck Berry Sessions" album of 1972.
Listeners around the world can listen on-line to this special "Chuck Berry
at 80" program streamed in RealMedia format by visiting the BBC Radio 4 webpage
located at
http://www.bbc.co.uk/radio4/
and clicking the "Listen Live" link or, for an additional 7 days after the program
has aired, by clicking the "Listen Again" link.
Chuck Berry Official Website
Chuck Berry - Mr. Rock 'n' Roll website
Chuck Berry News website
Rockabilly Hall of Fame® To
Celebrate 10th Anniversary
At Viva Las Vegas 4/6/07
In 1997 Bob Timmers created the Rockabilly Hall of Fame® in Appleton, Wisconsin
as an Internet alternative to the Rock & Roll Hall of Fame in Cleveland.
In 2000 he moved closer to the roots of the music by setting
up an office in Burns, TN, just west of Nashville.
The "RHOF" has come a long way in 10 years.
Close to 300 legends have been inducted.
Many veteran rockers have risen out of retirement to play and record again.
The RHOF label has released over 20 CDs.
The RHOF has become a non-profit organization, allowing donations from US residents be to tax
deductible.
Its web site page-hit count averages about 18,000 a day world-wide.
Bob and his volunteer staff have attended numerous weekenders, big shows and small venues, taking
photographs and mingling with the artists and fans.
So to celebrate the RHOF has accepted Tom Ingram's
invitation to "have the party at his place" - Viva Las Vegas, Friday, April 6, 2007 at the Gold
Coast Hotel
from 4 pm to 7pm.
Performers who are scheduled appear at this special event are: Glen Glenn, Dale Hawkins, Dickie
Harrell,
Kay Wheeler, Roman Self, The Hillbilly Hellcats, The Buzzards, Dave & The Bad Cats, Alan Clark, Rory
Justice,
Bob Kelly and Mike Vincent.
More news and updates will follow as April 6th, 2007 gets closer.
Al Casey 1936-2006
Al Casey passed away September 17, 2006 in Phoenix AZ.
He died of natural causes and went peacefully.
He was most noted for the records he made with producer Lee Hazlewood, with artists like
Duane Eddy and Sanford Clark. He also has made numerous records on his own, reaching his
commercial peak in the early 1960s, when a few of his instrumental (or mostly instrumental)
surf and R&B-rock singles made the Top Hundred. In the 1960s and 1970s he worked often as
a session player in Los Angeles, and was still putting out records under his own name in the 1990s.
Casey was still in his teens when he started working with Hazlewood in Phoenix,
introducing Lee to Sanford Clark, whose hit "The Fool" was produced by Hazlewood. Casey's
band backed Clark on the singer's records, as well as other discs cut by Hazlewood.
Casey was in Eddy's band, the Rebels, in which he played the piano, although he's more
known for his guitar playing. Casey also wrote one of Eddy's earliest hits, "Ramrod,"
as well as cowriting another Eddy hit, "Forty Miles of Bad Road," with Duane. In the early
1960s Casey was dividing his time between sessions in L.A. and Phoenix, and working with
his own group, the Al Casey Combo. Somewhat surprisingly, considering his twangy background with
Eddy and the surf recordings in his near future, his first successes were with bluesy
instrumental rock singles with a jazzy organ groove (played by Casey himself).
"Cookin'" made #92 on the pop chart, while a similar follow-up, "Jivin' Around," did a
little better, getting to #71 pop and #22 in the R&B listings.
In 1963, however, he and
Hazlewood rode the surf craze and cut an entire surf LP, much of which featured Hazlewood
compositions, and all of which had respectably tough reverberant guitar by Casey.
A single from the album, "Surfin' Hootenanny" (with almost incidental female vocals
by the K-C-Ettes, aka the Blossoms), became Casey's biggest hit, making #48; top L.A. session
dudes Leon Russell (organ) and Hal Blaine (drums) were present on many or all of the tracks.
Casey's solo career petered out when the small independent label he recorded for,
Stacy, closed shop around the beginning of 1964. Casey found a lot of work, though,
as a session man, on recordings by artists including the Beach Boys, Eddy Arnold,
and Frank Sinatra. He also ran a music store in Hollywood in the late 1960s, and
played as a member of the band on Dean Martin's television show. In the mid-'90s he
made a solo recording for Bear Family, Sidewinder.
Courtesy: Paper Heart Myspace page.
Terry Bagwell, Phoenix, reports: A Guest Book Is on line for anyone who would like to say
anything.
www.legacy.com/azcentral obituaries. Losing Al is a great lost to Music.
New Killer CD:
"Last Man Standing
Jerry Lee Lewis is the last man standing from his generation of rockers, and
no one could have expected that.
His hardheaded life of self-destructive recklessness - filled with drugs, booze and broken marriages
- wasn't exactly the formula for a long career, but "The Killer" is still rocking.
Just shy of his 71st birthday, Lewis is releasing his first studio album in more than a decade. Its
title? "Last Man Standing."
"I just felt like I was ready to do it again," Lewis said with a smile.
As a pioneer rock 'n' roller for Sam Phillips' Sun Records, Lewis was a member of the so-called
"Million Dollar Quartet" with Elvis Presley, Carl Perkins and Johnny Cash. Together, the young Sun
stars carved a special place in the history of American music for Phillips' label and influenced
generations of future rock 'n' rollers.
Of course, they never really performed together as a quartet, even though a photo from Dec. 4, 1956,
shows them gathered together at a Sun Studio piano - with Presley, not Lewis, at the keys.
Now, Lewis is the only one left.
Presley died in 1977, Perkins in 1998 and Cash and Phillips in 2003.
"I AM the last man standing," Lewis said. "And the last one breathing."
The new album, scheduled for release Sept. 26, was five years in the making, produced by Jimmy Rip
and Steve Bing for Bing's Shangri-La Entertainment.
He's joined on the 21-song album by 21 guests that include Mick Jagger, Bruce Springsteen, B.B.
King, George Jones and Kid Rock. But the focus is clearly on Lewis.
"I had an understanding on that on the front end," said Lewis, who's never been known for happily
sharing the spotlight.
The guests are big names, but they mostly sing harmony, backup or play instruments without singing.
"Jerry Lee's talent had to be front and center," Rip said. "His voice and his piano are the loudest
things in every mix on every song, and we think that's the way it should be."
And he's still plenty loud, even though he may not pump the piano as easily as he once could.
"He's 70 years old, you know. That's just a fact," said his daughter Phoebe Lewis, who handles her
father's personal affairs. "But he's always able to come through with what he's got to do. He just
does it."
At a Memphis radio station to record promotional spots for "Last Man Standing," Lewis shuffled out
of a sound booth wearing flip-flops, an open-collar gray shirt and black sweat pants dotted with
drawings of small red chili peppers.
Led by his daughter, he plopped in a chair to rest before the drive home to Nesbit, Miss., just
south of Memphis. "I'm pretty tired," he said with a sigh, but he was happy to talk about the new
album.
"I'm definitely satisfied with it," he said. "I think it's the best album we've done in 20 years."
Rip said he asked longtime friend Mick Jagger to take part on "Last Man Standing," and other artists
began signing up as the project grew.
"We never really planned this as being a duet record. It just sort of turned out that way," Rip said
by phone from Los Angeles. "People actually started to ask me, 'How come I'm not on the record?'"
Lewis said he had doubts about having so much company.
"I didn't know how they were going to get all those people together," he said. "But it went smooth
as silk."
Most of Lewis' work was done in Memphis at Sam Phillips Recording Service, a studio run by Phillips'
sons; some vocals were recorded at the old Sun Studio, now a tourist attraction.
But many of his guests recorded their contributions elsewhere, with the final product mixed by Rip,
who refused to say which artists were in the studio with Lewis.
"Some were and some weren't," he said. "I'll never tell who was there and who wasn't because, to me,
that kind of ruins the illusion."
Rip said he had to explain to Lewis that with modern technology recordings can be made just about
anywhere.
"He asked, 'Can we do them in bed?' And I said, 'Well, we can do the ballads in bed, but you've got
to sit up for the rock 'n' roll,'" Rip said.
For the work at Sun, "it was just the two of us with a pair of headphones and a computer," Rip said,
"and, man, he just sang. In some of those vocals, he sounds like he's 20 again."
The album includes "Pink Cadillac" with Springsteen, "Traveling Band" with John Fogerty, "That Kind
of Fool" with Keith Richards, "Trouble in Mind" with Eric Clapton," "You Don't Have to Go," with
Neil Young and "Don't Be Ashamed of Your Age" with George Jones.
From the beginning, back when Lewis was a teenager kicked out of preacher's school in Waxahatchie,
Texas, for playing "the devil's music," his personal life has been a mess. He's wrecked cars, been
hauled in drunk by the police, played around with guns, once shooting a band member in the chest and
nearly killing him.
Lewis wraps up the new album with Kris Kristofferson and "The Pilgrim: Chapter 33," a song about a
life of wrong turns spent reaching for the stars. The album ends with Lewis speaking one of song's
main lines - that "the goin' up was worth the comin' down."
"I don't know if I agree with that line or not," Lewis said, "not all the way."
- Courtesy Woody Baird (AP)
DVD Available Now
Ronnie Hawkins:
Still Alive and Kickin'
To his friends, he's Mr. Dynamo. To his doctors, he's a miracle. To the rest of the world,
he's The Hawk, the Arkansas-born King of Rockabilly who made Canada his home and his stage
for more than four decades. He's still rocking the house today against all odds.
Casablanca Media Television Inc. is pleased to release Real To Reel Productions' award
winning music documentary RONNIE HAWKINS: STILL ALIVE AND KICKIN'. Winner of the 2005
Gemini Award for Best Biography and the Bronze World Medal at the 2005 New York Festivals
for Television Biography, this outstanding film by director Anne Pick, celebrates Ronnie
Hawkins, the man, his life and his music.
In 2002 The Hawk was diagnosed with terminal pancreatic cancer. He was told he was a dead man.
The obituaries were written, the tributes and tears were flowing but along the way he
cheats the grim reaper. Maybe it was the overwhelming outpouring of love, perhaps it was
the talents of a teenage healer, or as he says, he just may be the luckiest hillbilly alive.
From Wanda, his wife of 42 years, and his kids, to friends like Bill Clinton, David
Foster, Robbie Robertson and Kris Kristofferson, to strangers on the street, everybody is
pulled into this truly unbelievable time in the life of this living legend.
Excerpts from live performances plus some of Ronnie's best known hits are featured.
Included on the soundtrack are: Forty Days, Blues Stroller, Bo Diddley/Who Do You Love,
Bittersweet, Need Your Lovin' (Oh So Bad), Blue-Eyed Baby, You'll Lose A good Thing, Low
Life Street Blues, Hoochie Coochie, Down In The Alley, Mary Lou, Fly Like a Hawk, Lodi.
In addition to the full 90 minute music documentary, the DVD RONNIE HAWKINS: STILL ALIVE AND
KICKIN' contains bonus Interviews with former band members Robbie Robertson, David Foster,
Kris Kristofferson, Amy Sky, Dominic Triano as well as television personality Jeanne Beker
who once danced as a go-go girl with the band.
Purchase your copy
here.
Johnnie Johnson, Player/Songwriter
Johnnie Be Good:
The Movie
Courtesy David Blakey, Webmaster for Bo Diddley -
Bo Diddley, Chuck Leavell, Bonnie Raitt, Keith Richards, John Sebastian and Bob Weir are amongst
the musicians slated to appear in a feature length documentary tribute to the late piano
player Johnnie Johnson, that is currently in production.
Titled "Johnnie Be Good" and directed, produced and written by Art Holliday, the movie has a
projected completion date of July 2007.
Rock and roll piano legend Johnnie Johnson died of natural causes at his home outside of St.
Louis, MO in April 2005. He was 80 years old.
Johnnie began his career in 1952, when he hired the then-unknown guitarist Chuck Berry to
join his St. Louis-based band. Chuck Berry eventually became the frontman of the group and
the two collaborated on some of rock and roll's seminal recordings, including "Maybellene",
"Roll Over Beethoven", and "Sweet Little Sixteen".
Johnnie stepped into the spotlight later in life, releasing his first solo album in 1989.
His star continued to grow, especially among his fellow musicians, who lined up to work
with the icon. In the last decade, Johhnie performed and recorded with a diverse array of
artists including Aerosmith, Eric Clapton, Buddy Guy, Kentucky Headhunters, NRBQ, Keith Richards,
Styx, Susan Tedeschi and Bob Weir.
In honor of his contributions to the genre, Johnnie was inducted into the Rock & Roll
Hall of Fame in 2001 by his friend and supporter, Keith Richards. He continued to
perform and headline at concerts and clubs around the world until just before his death.
One of his last performances was with Bo in February 2005.
"It was so much fun to play with Johnnie", Bo said at the time of Johnnie's passing.
"The world has lost a great man and a great musician. He will be missed but his music
will live on".
A 5-minute trailer for the movie can currently be viewed by visiting the "Johnnie Be Good"
movie website.
"Johnnie Be Good" movie website
Johnnie Johnson Official website
Bo Diddley's website
The RHOF's Bo Diddley Fan Page
Dempseys Entertain
Prime Minister Koizumi
MEMPHIS, Tenn., June 30 - The Dempseys put on a rockin' good time for President George W. Bush,
First Lady Laura Bush and Japanese Prime Minister Junichiro Koizumi on Friday.
Prime Minister Koizumi even joined the Memphis-based rockabilly trio to sing the Elvis
Presley tune "I Want You, I Need You, I Love You."
"He's loving you guys," President Bush said, speaking for Koizumi.
The group was called in to perform when the president planned the trip to Memphis.
Making his last trip to the U.S. while Prime Minister of Japan, Koizumi wanted to see
the shag carpeting, platinum records and sequined jumpsuits that have made Graceland a
worldwide tour destination. Koizumi is a huge Elvis fan and even shares his birthday with The King.
"It was a tremendous honor to perform for the President, the First Lady, and the
Prime Minister," Dempseys' manager Rollin Riggs, of Resource Entertainment Group,
said. "We are thrilled that we could represent such an important part of Memphis'
musical heritage to these world leaders."
"The Prime Minister was clearly having a great time with the band," noted
drummer Ron Perrone. "He clapped and cheered after almost every song. We'd be
delighted to be his backing band anytime."
After touring Graceland, the President and Prime Minister munched on ribs at a local
barbecue joint and jammed to The Dempseys.
The high-energy group has been featured on numerous television programs including The
Today Show, Good Morning America, Entertainment Tonight, CNN and the Travel Channel.
They perform throughout the U.S. and can play anywhere in the world.
The Dempseys, a unique musical trio, are known for their brand of high octane
rockabilly music. The band's energetic live performances are unlike any show in
the current popular music scene and have been referred to by the Rockabilly Hall of
Fame® as "the most entertaining rockabilly show on the planet."
For more information about The Dempseys, please visit
http://www.regmemphis.com/ or
http://www.thedempseys.net.
Unreleased Songs from
Sun Go Digital
Courtesy Ryan Underwoo, Tennessean Staff Writer -
It may be hard to believe that Sun Records ‹ the legendary label that ignited the careers of
Elvis Presley, Johnny Cash and Roy Orbison ‹ would have in its archives even one reel of
unexamined recordings.
But, as it turns out, the place is a veritable grandmother's attic full of
musical treasures. And among the booty its shelves recently yielded are 19
previously unknown and unreleased songs from artists such as Charlie Rich, Rosco
Gordon and Bill Justis.
On Friday, June 30, 2006, those undiscovered songs from the 1950s and 1960s were made available
on eMusic, an online service that specializes in independent music and offers 1.5 million
tracks for purchase, second in size among digital music retailers after Apple's iTunes.
"I have been a Sun Records afficionado for a long time ‹ I've hung out with Sam Phillips
and all the rest," said Scott Ambrose Reilly, eMusic's former head of label relations,
who now works as a consultant for the company and helped unearth the latest recordings.
"I went into this project with the assumption that there was nothing else to be uncovered,"
he said. "But now, after having found these songs, I'm convinced there's more."
The tracks are just a few of the 400-song collection being offered by eMusic of rare
and out-of-print material from Sun Records, which effectively moved from Memphis to
Nashville in 1969 after Phillips sold it.
Signing up for the service costs as little as $9.99 a month for 40 downloads
(which amounts to 25 cents a song).
This latest project follows a similar 350-song collection put out by eMusic
from the Sun catalog last May. That set of downloads included vintage tracks from
Johnny Cash, Jerry Lee Lewis, Roy Orbison, Charlie Rich and Carl Perkins.
Reilly, who's better known by his nickname, "Bullethead," said the Cash songs
that came out of that collection have stayed in eMusic's Top 20 downloads to
this day, helping prompt the company to go after more hard-to-find Sun recordings.
"Once we find this stuff, it doesn't cost anything to put it up. We don't have to
manufacture it and put it out as part of some box set. The Internet has allowed this to
happen," said Reilly, who lives in New York, but has visited Sun Entertainment Corp.'s
Belmont Boulevard offices numerous times.
"How much deeper we'll go is just a matter of how much time and effort
somebody is willing to put into it," he said.
For Sun's part, the company is more than happy to see a jump in royalty revenues
coming in on songs that it didn't even know it had, said John Singleton, president
of the company and brother of Shelby Singleton Jr., who purchased the company from Phillips.
"Usually we just license to other companies," said Singleton, who had no idea how or
where the guys working on eMusic found the recordings. "This is strictly a royalty situation.
We get money as it sells. And revenue from the first collection that eMusic put out does
seem to be growing, as it is at all the other music services we have deals with."
As for the music itself, Reilly said it's all great, but the material from Blues man
Rosco Gordon is the kind of vibrant stuff that kept him at the office until 2 a.m. many
nights working on the project.
"It's so raw and so rockin' and yet Rosco Gordon in many ways has been lost to obscurity,"
he said. "You can also hear the Sun vibe in there. You can hear Sam Phillips trying something new,
taking chances. In many ways, these recordings tell the story of Sun Records through the music."
ED NOTE:
e-music
also has most of the Rockabilly Hall of Fame@ label songs available.
Quick Access to MySpace
"Rockabilly" Links
Whether you are already a MySpace junkie, new to MySpace or planning
on using it in the future, we have created a special page that
takes you right to your favorite artists' MyPage location. We've
made it easier to find rockabilly related performers and listen to their music. Enjoy!
myspaceartists.html.
Laura Lee Perkins:
"Here We Go!" CD
Laura Lee Perkins, the Virginia 88 keys rockin' gal, is back with her first
CD and new recordings were done in February 2006. Since her only session in Hollywood, in
February 1958, nothing has come except her two singles on "Imperial Records" and a single
on "Detour Records". Those rare records, were she's backed by Ricky Nelson band,
gave her a cult status worldwide among the rockabilly buffs. Only few gals were
able to rock right in the 50's and she's among the best that include Wanda Jackson
and Janis Martin. Thanks to the work of died hard fans, she's back on the spotlights
and ready to rock the world again. That's a pretty hard challenge but she said "Here We Go!"
The CD, that brings six new recordings and her 50's original sides, will show you
we are never too old to rock. We knew already that assertion via The Bill Haley's Comets
actual work but here is another proof if needed. Here you had Laura Lee rockin' on "Everybody
Rock & Roll", rollin' on Hank Williams Sr's "Jambalaya" with swinging sax, shouting the
hopes of every musician on Chuck Berry's "Johnny B. Goode" or slowing down the beat
with the beautiful "A Little Tear". Her voice his better than ever and the musicians
gave her a perfect support.
But, If you are more in the vintage 50's stuff, you will have the unique opportunity
to have her six "Imperial" sides with a bright sound. Included are "Gonna Rock My Baby
Tonight" and "Come on Baby", unissued in the 50's, and pretty scarce to get. You will
have a great reworking of a Hank Williams sr classic song "I Just Don't Like This Kind
of Livin'" and Laura Lee own composition "Oh La Baby".
The CD, packaged with two pretty nice 50's pictures in colour, worth it for all the
50's nostalgics. At a time when the powerful entertainment business was mostly dominated
by all males, Laura Lee proved you can be pretty, sexy and rockin'. She played piano,
guitar drums, ukulele and could gyrate with the best. You can read more about Laura Lee
Perkins on the LAURA LEE PERKINS WEB SITE
a get your copy of this great CD there. We'd to thank Bob Timmers for his valuable help.
Don't wait up, give a spin to that high octane powered CD. Contact:
Netheadjim@aol.com
Camille Daddy, Brest Rock'n'Roll Appreciation Society
Only the first 100 copies are being offered to the public.
Eddie Bond, Billy Swan, Tom Mathis
Promote Tennessee Music on CD
After the first 100 units are sold,
the remaining copies pressed will be donated to
select museums and libraries throughout the United States.
This project, produced by
Rockabilly Music Preservation, Inc. and
the Tennessee Arts Commission, was created to promote
Tennessee roots rock music and musicians to educational
institutions outside the state of Tennessee. All songs were recently recorded.
This CD is the first disc on the "Rockabilly Hall of Fame
Classic Recording Series" label.
ORDER HERE NOW
TRACK LISTING:
1. HERE COMES THAT TRAIN - Eddie Bond
2. LOTTA LOVIN - Billy Swan
3. GREENBACK DOLLAR - Tom Mathis
4. MONKEY AND BABOON - Eddie Bond
5. STEALIN' A MOVE - Billy Swan
6. ROCK AND ROLL ROBIN - Tom Mathis
7. TORE UP - Eddie Bond
8. BOP TO BE - Billy Swan
9. LOOK LIKE A MONKEY - Eddie Bond
10. RIGHT NOW - Billy Swan
11. DON'T LOOK BACK -Tom Mathis
12. THE EYES HAVE IT - Tom Mathis
Comets' Johnny Grande R.I.P.
The last member of Bill Haley's partners, John A. Grande, passed away in his sleep 2 June 06.
Johnny was an active member of the COMETS to the very end. He had not been with the band in
Branson for the last month due to illness and tests being run. John originally joined
Bill Haley in 1949 and became his partner along with Billy Williamson.
Together they formed the Saddlemen. Later on, they became the core members and
partners who formed the legendary COMETS. John was an arranger for the band and was
on all the Holiday, Essex, Decca and Warner Brothers recordings. He left the band in 1962,
and joined the reformed Comets who began touring again in 1989. We will all miss John on
the bandstand, his professionalism, his dry wit and his smile.
Born in Philadelphia, Grande had recorded more than 40 records, including four that went
gold. He played piano on hits like "See You Later, Alligator" and "Rockin' Through the Rye."
He helped arrange albums like "Rockin' Around the World."
"Rock Around the Clock" was recorded in 1954 and was No. 1 hit for eight weeks before
going on to sell 22 million copies worldwide, according to the Rock and Roll Hall of
Fame. It gained new popularity when it was chosen for the soundtracks of the movies
"The Blackboard Jungle" in 1955, a film named for the song in 1956 and
"American Graffiti" in 1974.
Grande was inducted into the Rockabilly Hall of Fame® in 1997. Haley is the only member
of the group inducted into the Rock and Roll Hall of Fame.
Grande is survived by his wife and four children.
See: Denise M. Gregoire's Bio on
Johnny
Starbucks Hails Rock & Roll
Coffee merchant Starbucks enters the home video business on Tuesday June 27th with an exclusive DVD
version of the documentary "Hail! Hail! Rock 'n' Roll", the celebrated 1987 feature film that
captured the musical event commemorating the 60th birthday of Chuck Berry.
"Hail! Hail! Rock 'n' Roll" is widely acclaimed as one of the most significant filmed
musical events of the past few decades. Bo Diddley appears in the movie in several
sequences with Chuck Berry and Little Richard.
The Starbucks DVD comprises a single-disc that includes 40 minutes of bonus footage
selected and edited by director Taylor Hackford, as well as an exclusive 14-track
CD of Chuck Berry's hits. The package will sell for $19.95 at more than 5,200
Starbucks locations across the US. Starbucks Coffee Company is the leading retailer,
roaster and brand of speciality coffee in the world.
The DVD is released on the same day that distributor Image Entertainment's standard
two-disc "Special Edition" and four-disc "Ultimate Edition" boxed set of the movie
go on sale in conventional retail outlets, featuring a wide array of bonus content,
including over seven hours of never-before-seen footage, extended interviews with
many of the original founders of rock & roll, documentaries and more.
The 4-disc box set is bolstered with "Witness To History", an hour-plus round
table with Chuck Berry, Little Richard and Bo Diddley discussing their
shared experiences for the first time.
Starbucks.com website: http://www.starbucks.com/
Image Entertainment, Inc. website: http://www.image-entertainment.com/
New Johnny Jaye CD
Hemsby #36
Review: Pontins Holiday Centre, Camber,
England 9th to 13th March 2006
Rockabilly Rave No. 10
The tenth annual Rockabilly Rave demonstrated that this festival has grown from its small beginnings
to an international affair. There were literally people and acts from all over the world in
attendance. There was a particularly strong representation from our Continental friends with
German, Dutch, French and Spanish languages heard as frequently as English. This was no doubt partly
due to the closeness of the Channel Tunnel and the Port of Dover.
The bill was cleverly constructed with three distinct entities, new(ish) young bands such as the Mad
Men from Croatia, acts that spearheaded the rockabilly revival in the seventies with the likes of
High Noon and Buzz Wayne plus a couple of originators in the form of Janis Martin and Sonny Burgess.
With attendance announced as being in excess of 3,000 people, the joint was jumpin' to top notch
rockin' sounds.
Business commitments prevented myself from attending on the opening day on Thursday and so I
unfortunately missed Big Sandy + The Flyrite Boys from the USA, The Go Getters (from Sweden), The
Tin Stars (from Holland) and The Skiprats (UK). However, reports I received the next day were all
confirmatory and that the main hall was like a Saturday night out with Big Sandy playing an awesome
set and that the Go Getters received a tumultuous reception with their heavily punk tinged
rockabilly.
Friday, 10th March 2006
Opening act was the UK band The Infernos followed by the first of the rockabilly revival acts,
namely Buzz Wayne who had been a popular act in the seventies and eighties leading Buzz & the
Flyers. For myself, this was the first time of viewing and it became quickly apparent that I had
missed (up to now) a quality act. Buzz possesses an exciting reasonably powerful voice and coupled
this with a first rate animated stage presence. He had an excellent backing band that featured the
great Sean Mencher on lead guitar. Stepping on to the stage in a three piece suit and an Ollie
Hardy style hat, it was straight into a mixture of originals such as 'From Every Walk Of Life'
'Crazy Girl You' with good covers in the form of an excellent 'Little Pig' and 'Sixteen Tons'.
Buzz really mixed up styles and tempos and excelled on the Gene Vincent tunes 'Pretty Baby' and
'Dance To the Bop'. After stripping off the jacket and hat, it was clear that he was giving the
show his all, with bucket loads of sweat pouring off him. Other notable performances were his
workouts on 'Everybody's Moving' and 'My Baby Can't Be Satisfied'. Suitably impressed, I hope to
be able to catch further Buzz Wayne shows.
Next up was man who in my books can do virtually no wrong, namely the Arkansas wild man, a 73 years
young Sonny Burgess. He had bought over Pacers drummer Bobby Crafford and piano man Kearn Kennedy
with him and the remainder of the backing group comprised the Swiss/Austrian band Mars Attack who
had backed up Sonny at the Green Bay festival in 2005. Sonny stepped on the stage a picture of
sartorial elegance dressed in black trilby, bright red jacket, black shirt with white spots and
black trousers. After a warm-up instrumental, it straight into the rockin' with 'My Bucket' Got A
Hole In It' and 'We Wanna Boogie' followed by Bobby Crafford taking the lead vocals on 'Mathilda'
and 'Ain't Got No Home'. Sonny appeared a little agitated and he called upon the stage technicians
to rectify amplifier problems. The reason for this became clear when he advised that this
performance was being recorded. Back to Sonny for 'Lawdy Miss Clawdy' and 'Higher' before Crafford
took over again with 'Wipe Out' (playing the drums blindfolded) and 'Forty Days'. Clearly, Sonny
was still concerned as he sang 'Wings of an Angel' and 'Find My Baby For Me'. After calling the
technicians back to the stage, the set really took off with 'Ain't Got A Thing', 'Sadie Brown' and
'Red Headed Woman'. On the last mentioned, two drummers were featured and the entire ensemble did
the 'Bug Dance' that Sonny advised had been lifted from Roy Orbison's Teen Kings. The stage was a
picture now of wild rockin' with Sonny in powerful voice and the rest of the musicians hammering
away like there was no tomorrow. 'Tear It Up' was then segued into 'Red Head Woman' before we were
treated to a wild 'Rock 'n' Roll Ruby' and Kearn Kennedy hammering the key boards into submission of
'K K Boogie Woogie'.
Showing no signs of wanting to leave the stage, despite the house lights flashing, the 75 minute
long act finally closed out with a medley of 'Whole Lotta Shakin' Goin' On and 'Gone Gone Gone',
'Ain't Got No Home' and 'Don't Be Cruel'. The person standing next to me described this performance
'as good as it gets'. No further comment needed.
The live rockin' on Friday night concluded with an appearance by the original line-up of The Dave
'n' Deke Combo. This included the two original upright bass players, the original drummer and was,
so we were informed, the first time that this line-up had played together for thirteen years.
Coming on to the stage dressed as country hicks, they blasted their way into a rockin' orbit. At
times, the cornball humour got a tad tiresome, but the quality of musicianship overcame this every
time. Fronted by Dave Stuckey and Deke Dickerson, the group gave out with a right ol' mixture of
hillbilly with heavy lashings of rockabilly music served up complete with dashes of western swing.
The songs ranged from covers of tunes such as the Sparkletones 'Maybe Baby' and Jimmy C Newman's
'Carry On' to originals like 'Baby You Ain't As Dumb as You Look' and 'Tally Ho' There was an
amusing send up of the song 'In The Ghetto' which was rechristened 'In The Meadow' with suitably
adapted lyrics. I particularly enjoyed 'Chrome Dome' and 'No Good Woman' and especially their
rendition of 'Goin' Steady with The Blues '. Their versatility, especially that of Deke, was
demonstrated on 'Chicken Picker' which featured various style of guitar playing such as that of Joe
Maphis, Scotty Moore and Duane Eddy. For an encore, the band came back on stage in one-piece bright
red underwear and rocked away on 'I Am My Own Grandpa'. A fine show that went down well with the
audience at 2:00 am in the morning - but one can understand why Deke Dickerson has gone on to do his
own thing.
Saturday, 11th March 2006
Before we go into the performances in the main hall, it is best to describe the general scene.
Dotted through out the venue were clothing stalls, record stalls and general bric a brac stalls.
There was also the camp radio serviced by top jocks and presenters like Del Villareal from Detroit.
Downstairs in the secondary hall, every afternoon, there were a series of performances such as that
by Kim Lenz backed up the reasonable Spanish Jaguars group. She turned in a pleasant performance on
such ditties as 'You Made A Hit' 'Kiss And Tell Baby' and 'Got A Lot Of Rhythm'. There were too
many up-tempo numbers; in fact, there was only one slow song in the fine reading of 'Thinking About
You'. There was also an indoor Hot Rod show and the now standard Sunday morning flea market. Bars
were open for much of the day as was the cafeteria.
However, we digress. The night's performances in the main hall kicked off with Marti Brom, now
based in Austin, Texas. What does one say about this lady? She has a top-notch voice capable of
singing rock 'n' roll, country, western swing, plus is a stunning looker and has great stage
presence. Have I gone overboard? No way! She is all the foregoing in one package, and then more.
(I shall retreat to my darkened room before completing this segment of the review). Opening up
with 'That Crazy Beat', she was backed-up by a superb bunch of musicians including the divine Lisa
Pankratz on drums (I will have to stop this as I am giving away 'my dirty old man' persona). The
musical content ranged from the pure country of 'Stop This World', 'Whole Lot Of Lonesome' and
'Whiskey Six Years Old' to raucous rockers like 'Tomcat' and a superb version of Joyce Green's
'Black Cadillac'. She sang with heart wrenching anguish on 'Blue Tattoo', 'Wicked White Lies',
shimmied like crazy on 'Three Hearts Later', strutted around the stage on 'Fallin' and rocked like
no tomorrow on 'Great Shakin' Fever'. This was truly memorable.
We remained with Austin based rockers for the next performers. It was back to early rockabilly
revivalists with the original line-up of High Noon. Well not quite, as bass player Kevin Smith was
unable to appear due to his current engagement behind Dwight Yoakam. Chicago's finest, Jimmy
Sutton, took his place, alongside Shaun Young on vocals/rhythm guitar and Sean Mencher of lead
guitar/occasional vocals. Notice there was no drummer but, boy, did they lay down a cracking beat
between them in a fast-paced act. The vocals from Young were fine, especially on 'Rockin' Wildcat',
'Hanging From The Old Oak Tree', Rattlesnake' and 'Movie Magg'. There was a spell binding
instrumental from Sean Mencher that, I believe, was titled 'Comanche Moon' and another stand out
number in the set was 'Blue Bonnet Boogie'. The quality of musicianship up there on the stage was
oh so high, as was the entertainment value. All too soon, they had reached the end of their
allotted time, but there was (in effect) more to come the next night.
The next act was another personal favourite, the top rockin' lady Janis Martin. This was a set of
vintage Janis numbers such as 'Drugstore Rock 'n' Roll', 'Alright Baby', 'Billy Boy', 'Ooby Dooby,
and 'Crackerjack'. On 'Let's Elope Baby', Miss Mary Ann joined her to duet on lead vocals and this
worked well. However, Janis appeared to be concerned with the playing by her backing band The
Ragtime Wranglers. Musically, they played well but did lack that raucous spark. Essentially, they
were playing in a hillbilly style whereas Janis's music commands the more raucous edge of a
rockabilly outfit. Janis, being the first rate performer that she is, managed to effectively
overcome this difficulty with good humour as she shimmied her way through 'Bang Bang', Barefoot
Baby' and 'Good Love'. Once she donned her own guitar, the set really ignited. We were then
regaled with 'Hard Rockin' Mama' and 'My Boy Elvis'. This had developed into vintage Martin. She
concluded her set with a Presley medley of 'My Baby Left Me/Good Rockin' Tonight/C C Rider' and
'Johnny B Good'. If one judge's popularity of a performer by the length of the autograph queue
after a performance, and it is a good yardstick, then Janis achieved top rating. She was still
signing over 75 minutes later when the concluding act of the night, The Mad Men, took the stage.
Now this is a young band, who presented a mixture of original songs and covers in a frantic style.
Too much so for my taste as one number began to blur into another with a distinct lack of musical
finesse. That said, they drew a big response from the audience with numbers such as 'Boo Hoo',
'Rockabilly Ball' and 'Til the Law Says Stop'.
Again, I retreated a happy bunny to my lonely room for the night.
Sunday, 12th March 2006
For openers on the final night, we had the German band Ike & The Capers who were followed by Charlie
Thompson (UK) and Miss Mary Ann who played a heavily rockabilly tinged hillbilly set. Backing was
again by the Ragtime Wranglers but this time around, their picking was wholly appropriate. The
majority of songs were served up as duets, and included 'Do The Bop With Me', 'Don't Lie',
Claudette' and a lovely 'I Wonder If I Care As Much'. Each performed a solo number with Miss Mary
Ann singing 'Crazy' and Charlie treating us to an authentic treatment of 'Slowly I'm Falling'. This
was a good time music set, pleasing on both the eyes and the ears. Other good renditions included
'Gee Whiz Baby', 'In the Jailhouse Now', The Louvin Brothers 'My Baby's Gone', Jimmy & Johnny's
'Sweet Singing Daddy' and James O'Gwynne's 'Trying To Forget You'.
The next act was billed as a Ronnie Dawson Tribute. I am always wary of such well-meant events that
frequently fail to deliver. However as the band assembled on the stage, I just knew that there
were no such worries on this occasion. Up there stood High Noon (Shaun Young, Sean Mencher and
Jimmy Sutton) plus sitting behind the drums was the delectable Lisa Pankratz, all musicians who had
often performed with Ronnie. For the second lead guitar, they were joined by Deke Dickerson.
After a fitting introduction by Chris Dawson (Ronnie's widow), it was straight into a wild rockin'
set with all concerned giving a one hundred per cent. Jimmy sang lead on 'Red Hot Music', Shaun on
'Monkey's Uncle 'and back to Jimmy on 'Rockinitis'. The music flowed, the action was wild (I cannot
recall having see Shaun so animated previously) and the excitement coming from the stage could not
have been bettered. There were guest lead vocalists such as Peter Sandberg (Go Getters) on 'Shim
Sham Shimmy', Big Sandy performing two brilliant songs with 'I Make The Love' and 'Congratulations
To Me' plus Marti Brom on 'Knock Down Dragout'. I guess that the majority of lead vocals were
carried out by Shaun and he rocked like a madman (but with effect) on 'Action Packed', 'Rockin'
Bones' and 'Home Cookin'. The entire ensemble returned to the stage for 'Monkey Beat'. I doubt if
any of the performers had anymore to give, this had been sheer brilliance.
The close out act for the festival was Scotland's High Voltage. After the last set, they had to
spend a bit of time and effort cranking up the audience. That they succeeded is to their credit and
they got better as the act proceeded. They set about tearing down the barriers with 'Honky Tonk
Man', 'All I Can Do Is Cry' and 'Let's Rock Tonight'. Mention must be made here that the lead
guitarist could have passed feature wise as a young Keith Richards, quite fascinating. Clearly,
another high energy band, they knew how to work the audience as they gave out with 'I'm Heading
Home', 'Shadow My Baby', a fine version of white Tommy Tucker's 'You Don't Love Me (Uh Huh Huh)' and
'Foxy Dan'. Most lead vocals were handled by Vince Turner but the occasional spot was dealt with
adequately by the drummer. A slight jarring note to the performance was the occasional use of bad
language that added nothing to the performance. The set closed out with 'Please Don't Go',
'Miserlou and 'Jump Start Boogie', all of which were performed with a heavy edge.
Everyone that I talked to commented how much they were enjoying themselves. This bodes well for the
future of our music and for the continuation of this festival. Long may all this continue ...
Promoter Jerry Chatabox advised that next year's event will again top everything to date, that will
take some doing.
© Tony Wilkinson
March 2006
CLICK HERE. Check out what's new or add your CD.
CLICK HERE. More information to come soon.
RHOF: 9 Years Old
On March 21, 1997, the Rockabilly Hall of Fame®
was created by Bob Timmers. Over the past nine years
the RHOF has grown from 100 page hits a month to
over 600,000 monthly page hits in 2006. We must be doing something right.
We have accomplished a lot:
Keeping rockabilly alive, promoting veteran and new talent.
Discovering and giving recognition to many forgotten artists.
Being a part of reviving the careers of several legends.
Inducting close to 300 pioneers of rock 'n' roll.
Keeping the rockabilly world updated each day on what's new.
Becoming a reference source for the media, schools and colleges.
And much more ... all thanks to the contributions of a wonderful world-wide volunteer staff!
Here's a
SPECIAL OFFER to our readers. If you don't already have the five RHOF compilation CDs,
check it out.
Stop and think ... what positive role has the Rockabilly Hall of Fame® played in your life?
Would you miss it if was gone?
We rely on your purchases, page sponsoring and donations to keep us going and growing.
Thanks to all who continue to visit and support the Rockabilly Hall of Fame®.
(a US non-profit corporation)
Orbison CD Reissues, Exhibit
Barry A. Jeckell, N.Y - Sony BMG's Legacy Recordings label is embarking on a two-year campaign that
will
see virtually everything Roy Orbison ever recorded released. At the same time,
the Rock and Roll Hall of Fame and Museum will curate a special exhibit with
the help of the late rock'n'roll icon's family.
Legacy's campaign got underway with the Feb. 7 reissue of "Black & White Night,"
a 1987 star-studded concert that originally aired as an HBO/Cinemax special.
The concert famously saw Orbison backed by the likes of Bruce Springsteen,
Elvis Costello, Bonnie Raitt and k.d. lang, among others.
Quick on its heels will be the March 28 release of the career-spanning,
two-disc compilation, "The Essential Roy Orbison." The collection will
pull together a total of 40 tracks that originally appeared on Sun,
Monument, Virgin, MGM, Warner Bros., Mercury and Def Jam labels,
reaching back as far as 1956.
Among the highlights are the early rockabilly cuts "Ooby Dooby"
and "Rock House" and such classics as "Blue Bayou," "Only the Lonely,"
"Oh, Pretty Woman" and "Crying."
This year alone, Legacy will reissue Orbison's entire Sun and
Monument catalogs. Titles from the Jewel, MGM and Virgin catalogs
will follow. Plans include a remastered version of Orbison's final
studio album, 1989's "Mystery Girl" and a DualDisc edition the 1992
Virgin set "King Of Hearts," both originally released by Virgin.
The latter posthumous album utilized Orbison's final vocal recordings
and was highlighted by a duet with lang on "Crying" that won a Grammy
for best country vocal collaboration.
On April 18, the Rock and Roll Hall of Fame and Museum in Cleveland will
open its Orbison exhibit, which will focus on the artist's career and his
contribution to the American songbook. Orbison's family has loaned such
artifacts as handwritten lyrics, rare records, stage clothing, business
documents and photographs to the gallery display. Orbison was inducted
into the Rock Hall in 1987.
Supported by his widow, Barbara Orbison, a movement to commemorate the artist with
an official U.S. postage stamp has taken off in recent weeks thanks to a bevy
of media reports. An online petition had, at deadline, logged nearly 12,000 signatures.
Here is "The Essential Roy Orbison" track list:
Disc One:
"Ooby Dooby" (Sun, 1956)
"Go! Go! Go!" (B-Side to "Ooby Dooby")
"Rock House" (Sun, 1956)
"Uptown" (Monument, 1959)
"Only the Lonely" (Monument, 1960)
"Blue Angel" (Monument, 1960)
"I'm Hurtin'" (Monument, 1960)
"Lana" (Monument, 1966)
"Love Hurts" (Monument B-side, 1961)
"Crying" (Monument, 1960)
"Candy Man" (B-side of "Crying")
"Dream Baby" (Monument, 1962)
"The Crowd" (Monument, 1962)
"Leah" (Monument, 1962)
"Falling" (Monument, 1963)
"Working for the Man" (Monument, 1962)
"Mean Woman Blues" (Monument, 1963)
"Blue Bayou" (B-side of "Mean Woman Blues")
"Pretty Paper" (Monument, 1963)
"It's Over" (Monument, 1964)
"Oh, Pretty Woman" (Monument, 1964)
Disc Two:
"You Got It" (Virgin, 1989)
"She's a Mystery To Me" (Virgin, 1989)
"California Blue" (Virgin, 1989)
"The Only One" (Virgin B-side, 1989)
"Ride Away" (MGM, 1965)
"Crawling Back (MGM, 1966)
"Best Friend" (MGM, 1967)
"Communication Breakdown" (MGM, 1966)
"Walk On" (MGM, 1968)
"That Lovin' You Feelin' Again" with Emmylou Harris (Warner Bros., 1980)
"Running Scared" (1985 version, Virgin, 1987)
"In Dreams" (1987 version, Virgin, 1987)
"A Love So Beautiful" (Virgin, 1989)
"The Comedians" with Elvis Costello (live, Virgin, 1989)
"Claudette" (live, Orbison, 1998)
"I Drove All Night" (Virgin, 1992)
"Wild Hearts Run Out of Time" (Virgin, 1992)
"Coming Home" (Mercury, 1986)
"Life Fades Away ("Less Than Zero" soundtrack, Def Jam, 1987)
Film Follows Jackson On Tour From Oklahoma City To Helsinki
Wanda Jackson Documentary
KPI, an independent production company specializing in television programming,
documentary films and new media content, is completing on-location concert shooting
across the U.S. and Europe for EVERY NIGHT IS SATURDAY NIGHT, a high-definition documentary
that tells the unsung story of rock 'n' roll pioneer Wanda Jackson.
The film is being produced in association with Los Angeles-based Joanne Fish who leads the
production team with Vinnie Kralyevich, president and creative director of KPI.
The production team follows the 68-year-old Jackson and her husband/manager Wendell Goodman
as they perform in Maine, New York City, Oklahoma City, Washington D.C., honky tonks across
the South, and overseas in Sweden and Finland.
Production began in June 2005 when the filmmakers documented the recording of Jackson's
new CD release I Remember Elvis, on Golden Lane Records, a subsidiary of Cleopatra Records.
The film will wrap production in Los Angeles with a concert by Jackson at Amoeba Records
in Los Angeles, celebrating the CD release on Feb. 1, 2006. Post-production of
EVERY NIGHT IS SATURDAY NIGHT is set to finish in summer 2006.
The many performers Jackson toured with, highlighted in archival footage, include:
Elvis Presley, Johnny Cash and Jerry Lee Lewis. Jackson's early music has recently been
immortalized on screen in the Golden Globe winning Johnny Cash movie biopic WALK THE LINE
which featured her song, "Fujiyama Mama." Presley, whom Jackson dated, was influential
in Jackson's choice to move from country music to the male-dominated world of rockabilly.
Courtesy: Trylon Communications, Inc., NYC - kurtp@tryloncommunications.com
From Barbara Orbison ...
Dear Friends
I am actively petitioning the US Postal Service to issue a stamp for my husband,
Roy Orbison in honor of what would have been his 70th Birthday.
This is a grass roots campaign from my heart and I am calling on everyone that
loved Roy and his music.
In political circles, the petition I have circulating the US House of
Representatives is nearly complete including a personal letter of support
from the President of the United States!
I have an on-line petition which now has over several thousand names and I want to thank
all the people who have taken the time to VOTE FOR ROY.
And now…I am asking you TODAY…to please VOTE FOR ROY by simply clicking
on the below link, scroll down and then click on to sign petition and join
some of Roy’s friends like Olivia Harrison, Bono, Will Jennings, Dan Aykroyd,
Pamela Anderson and many others.
Thank you for your vote and thank you for forwarding this request to all of
your friends.
All my Love,
Barbara Orbison
JOIN THE ROY ORBISON COMMEMORATIVE US STAMP CAMPAIGN.
VOTE HERE or follow the link at
www.royorbison.com
to send a letter of support to our nation’s leaders in Washington
urging the creation of a commemorative US stamp honoring the lifetime
achievements of Roy Orbison, a true American music icon.
Cash Home Sold
Nashville, TN - Johnny Cash and June Carter's rustic Hendersonville home, where they lived
during their entire marriage, has been sold two years after the passing of Johnny Cash.
The home was purchased by Balinda, LLC, a Florida LLC wholly owned by Barry and Linda Gibb.
Barry and Linda Gibb wish to restore the home to its original condition.
"This place will always be the spiritual home for the Cashes. My wife, Linda and I are
determined to preserve it, to honor their memory. We fell in love with it, it's an
incredible honor for us. We plan to use the home to write songs because of the
musical inspiration."
The home was sold by the Estate Trustees, Robert L. and Catherine C. Sullivan, as part of
the directives left by Johnny and June.
Camber Sands Holiday Centre, Rye, England - 25th to 28th November 2005
Review: Rhythm Riot No. 9
By Tony Wilkinson - All too soon, the time had come for the final major weekender of the year
and it was time to head off to Camber Sands on the south coast of England for the ninth Rhythm
Riot. This time, I did not have Mrs. Wilkinson and daughter Colinda along with myself as
the other offspring (known as Superbrat) had just produced her first sprog. If I am able
influence matters, the future of rock 'n' roll will be secure with introduction of young Master
Rory Keeble on to this planet. Mrs. Wilkinson' face was certainly beaming as I navigated the
car out of the drive and set off for an eclectic mixture of rockabilly, rock 'n' roll, honky
tonk, jump and jive, rhythm & blues and down-home dirty blues along with a few beers and the
hope of acquiring some rockin' wax.
Friday, 25th November 2005
After studying the programme, it became clear that Friday evening was Ladies Night. All the
acts and disc jockeys were of the female persuasion, and they produced some mighty fine music.
First act to take the stage in the main hall was Lil Rachel (USA) backed up by the Rhythm
Riot Kings of Rhythm. This attractive young lady is part of the Austin based Casey
Sisters who are scheduled to reform next year. That she possesses a great voice
became readily apparent as she launched into the LaVern Baker tune 'Whipper Snapper'
followed by tough rockin' interpretations of 'Dancing With Teardrops In My Eyes'
and 'Tough Lover'. As she raunchily strutted the stage demonstrating good stage presence,
the band started to cook. The set was a mixture of jumpin' R&B and ballads and other
standout songs were '12 O'clock' and 'Please Mr. Jailer'. This lady is a talent.
Annita & The Starbombers from Holland followed her, the latter are also known as The
Barnstompers. From the outset with 'Burn That Candle', it became apparent that we
were in for a rockin' treat. The vocals were spot on and the backing was sublime.
Annita proceeded to dance around the stage and thrill with such ditties as 'For Rent',
'I'm Waiting Just For You', 'What Good Would It Do Me' and an outstanding version of
the Brenda Lee song 'Bigelow 6-200'. This was music par excellance and more of the
same continued with the superb beat ballad 'Don't Ever Leave Again' before picking
up the tempo with 'The Big Bounce' and proceeding on with 'Not Anymore' and an
unusual but fine treatment of 'Mean Mean Man'. She closed out with 'These Mean
Hangover Blues'. The Netherlands keep producing first-rate rock 'n' roll musicians,
Annita is up there with the best of them.
It was now time for the first of the American headliners, Shirley Gunter.
As the lady is unfortunately partially sighted, she was escorted on to the stage by
her daughter, flowed by the previously mentioned Annita and Lil Rachel who were
to act as replacement Queens for the night. She started with 'Baby I Love You So'
and this was followed by 'Gimme, Gimme, Gimme'. Unfortunately, the backing band
was not as one with her and she had been provided with a directional radio microphone.
It became apparent that her style is to sing sideways into the mike and thus it was
not always possible to hear her vocals with clarity. The set proceeded on with 'Ipsy
Opsie Ooh' and a tasty 'I'm Sorry'. She had the respect of the audience and this was
enhanced as Shirley served up 'Baby' I Love You So' and 'You're Mine' in which the two
aforementioned young ladies provided fine backing vocals. Shirley then sang 'Fortune
In Love' and 'It's You' before we were treated with the classic 'Oop Shoop'.
There was one encore with the apt 'Headin' Home'. For sure, the lady was popular
with the audience. The close out act for the first night was Candy Kane & Her Band.
This lady is certainly well endowed in all manner of ways.
Saturday, 26th November 2004
For openers, we were served up with the musical delights of the Swedish outfit The
Exposives who were followed on stage by Rusti Steel & The Red Hot Wranglers. Rusti
has of course been on the circuit for a number of years and on this occasion, he had a
seven piece line-up behind him consisting of twin fiddles, lead guitar, drums, upright
bass, acoustic guitar, saxophone whilst Rusti played a mean steel guitar. The music was
primarily western swing but with heavy rockabilly overtones, a pleasing blend that was
demonstrated on 'Crazy Man Crazy', 'San Antonio Rose', 'Roly Poly', a splendid 'Traffic Jam'
and a fine 'Teardrops From My Eyes'. The outfit had the dance floor full with 'Ballroom
Baby' and 'Real Rock Drive' before enabling the bum clutchers on the floor to hold each
other close with a splendid 'Sleep Walk'. Rusti has nice nasal overtone to his voice and
this was demonstrated on the Hank Williams classic 'I Saw the Light' before he closed out
with 'Rompin' And Stompin'. A tasty, varied and most enjoyable set.
To vary the musical styling, the next act Little George Sueref & The Blue Stars served
an authentic sounding R&B come Blues set. Opening up with 'Early One Morning', but with
a latin beat', the set continued with the likes Walter Horton's 'Little Boy Blue ' and
Howlin' Wolf's 'Built For Comfort'. It became apparent that Little George is his own
man and he often dropped into a searing high-pitched vocal styling, somewhat reminiscent
of Ted Taylor. Other tunes served up by the four man combo included 'Everyday About This
Time', Further On Down The Line' and 'Rhythm Rockin' Boogie'. It was then time for one
of my favourite acts from South Louisiana, Warren Storm who forsook his drummer's stool
for the night and concentrated on his vocals. Launching straight into 'Mama, Mama, Mama',
it was clear that we were in for a professional and tight rockin' set. We were not
disappointed as he continued with 'The Prisoner's Song', a great version of 'Send Me Some
Loving' and 'Lonely Lonely Nights'. Despite having caught a cold, or perhaps because of,
there was a good rasping edge to his vocals and this was amply demonstrated on 'Fannie Mae',
'Please Mr. Sandman', 'Sweet Little Sixteen' and a superlative treatment of Elton Anderson's
'Shed So Many Tears'. The pace and tempo was constantly varying, all adding to the exciting
mix. Clearly adept at utilizing the stage, Warren rocked away on 'Slow Down', the swamp
pop anthem 'Mathilda', a hard rockin' 'Lucille', a tasty 'Honest I Do' before closing
out with 'Sick And Tired'. This had been first-rate entertainment.
Next up was a guy who I had not previously seen, namely Californian resident Roy Gaines.
Backed up by the hard working Rhythm Riot Kings of Rhythm, but with a trumpet player added
for a fuller fatter sound, it was a set chock full of hard driving blues based rockin' music.
From the outset, it was non-stop action on the stage. Indeed, Roy played the guitar behind
his head in the opening number - and what a guitar player he truly is, one of the best that
I have seen. He started with an instrumental that segued into 'I'm Leaving This Town'
followed by 'Midnight Train'. The stage was a vision of wildness as he lay down on
the floor still playing the guitar with the sweat pouring off him. I only wished that
I had as much energy. Roy is as good a vocalist as he is a picker and this was amply
demonstrated on 'Everyday I Have The Blues', On the Outside Looking In' and a truly
wonderful 'Skippy Is A Sissy'. The last mentioned was a wonderful piece of hard driving
rock 'n' roll. Other songs featured in the sixty five minute set included 'Baby Please
Don't Go', 'Chicken Shack Boogie' and I Love Southern Women'. Based on this performance,
he is a must-see again act.
The Rhythm Riot always throws up an act about whom little is known but who are simply
wonderful. Such is the case with the final act for the night, San Francisco based Stompy
Jones who came complete with his own band, and what a great outfit. The style was I suppose
can be classified as jump-jive lounge music in the vein of the great Sam Butera. Strangely,
the band did not include a guitarist but did have two sax players, trumpet, piano bass and
drums. The quality of the musicianship was high, bloody high and Stompy's vocals were
spot on. The set consisted of Stompy singing tunes such as 'I Wanna Know, 'My Heart Will
Always Belong To You', 'Marie', 'Boogie Woogie On A Saturday Night', a totally different
slant on 'Keep A Knockin' plus a speel binding 'angel City Blues. Then whilst, he took
rests by sitting on the side of the stage, the band came to the fore, much in the same manner
as a Bill Haley show. In the last mentioned, they performed a sensational version of 'Rudy's
Rock' with the sax player blowing away like crazy. Spell binding stuff. Again, another
act that I hope will return to these shores.
Sunday, 27th November 2004
The start up act was The Revolutionaires, a straight in your face rock 'n' roll show
band with bags of energy who performed numbers such as 'Rockin' Is Our Business', 'Walk
Right In', 'Mystery Train' and a clutch of instrumentals. As a side note, one of our
party, Ken Major, got asked to dance by a young lady. He obliged and clearly got so
excited that he returned with the crutch ripped out of his trousers. Next Up were
The Barnstompers who were superb. This Dutch outfit consists of high caliber musicians
and vocalists and they demonstrated these attributes on a rockabilly come country set
that included the likes of 'I Still Miss Someone', 'Move On. Move Out', Six Pack To Go',
'Rollin' Rock' and 'Dig Boy'.
American blues original, 85 years young T-Model Ford came next.
Supported only by a drummer and singing 'n' picking sitting down, this was a set of
authentic blues straight out of the Fat Possum school. Like many other blues singers,
especially such as Jimmy Reed, many numbers sounded similar to well known songs but
with subtle variations. However, I do believe that his set included 'Backdoor Man',
'Gypsy Woman', 'Mojo Man'. 'Call My Name', 'Sally Mae', 'Don't Leave Me No More'
and 'Down The Road I Go'. For sure, this was the real thing.
This festival always has one vocal group and this time around, it was the turn of
The Five Keys. Following on from the demise of the late great Rudy West, the leadership of
the act has been taken over by Maryland Pierce who joined in 1950. Dressed smartly
in black dinner suits, and two members utilizing walking sticks, the guys appeared on
stage. Soon, their superb vocal harmonies and perfect coordinated movements swept all
before them. This was music, real music from a legendary band. Opening up with 'From
The Bottom of My Heart', it was straight into the beautiful 'The Glory Of Love' and
this was followed by the likes of 'Out Of Sight, Out Of Mind' and 'Doggone It, You Did It'.
The mix was clear, up-tempo and ballads, all performed with sheer professionalism and
class. This was a real joy to listen to and watch. 'Ling Ting Tong' was sublime,
especially as the Five Keys own rhythm guitarist quietly but determinedly lead the
backing band. One of the attributes of this performance is that the numbers were
kept to their original duration and not extended beyond credulity. This group has
been going for over 56 years and this clearly shone through. All the Keys classics
such as 'Wisdom Of A Fool', 'The Verdict' and 'She's The Most' were included and the
act closed out with 'It's A Groove' and 'Real Fine Mama'. Oh, how I did enjoy myself.
The closing act for the festival was the Italian outfit Captain Jive, who as the name
suggests were a high-energy jump jive outfit. This seven piece line-up were dressed in
safari suits and their act contained many set piece visuals such as the entire band
laying on their backs playing whilst the sax man took a solo. Quite a few of the numbers
were sung in Italian, such as 'I Want To Be Like You' (from 'The Jungle Book'). This was
a party band.
Yet again, overall, another great Rhythm Riot and there is next year's weekender to
think of and salivate over from 24th to 27th November 2006. Headliners announced so
far include Hayden Thompson, Ray Sharpe and Eddie Bo with more to be announced.
Telephone (0)20 8566 5226, fax (0)20 8566 2525 or contact the web site www.RhythmRiot.com
for further information and booking details.
© Tony Wilkinson
December 2005
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