Ever hear of John Reischman?
By Joe Ross - rossjoe@hotmail.com - Posted November 22, 2002
Hi, I hope you'll check out some of John Reischman's albums if you
don't have them already. He's a great mandolin player who lives up
here in the Great NW...in Vancouver, B.C. actually. Pique on, Joe Ross
JOHN MILLER and JOHN REISCHMAN - The Singing Moon
Cassette Tape - No Label
JOHN REISCHMAN - Up in the Woods
Corvus Records CD-006
Corvus Records, PO Box 19655, Centre Point Postal Outlet, Vancouver,
BC V5T 4 E7 Canada,
Tel. (604)251-7655 or email: reischman@shaw.ca
JOHN REISCHMAN and the Jaybirds - JOHN REISCHMAN and the Jaybirds
Corvus Records CD-008
Corvus Records, PO Box 19655, Centre Point Postal Outlet, Vancouver,
BC V5T 4 E7 Canada
Distributed by Copper Creek Records, PO Box 3161, Roanoke, VA. 24015
The eclectic John Reischman is simply one of my favorite mandolin
players at present. He is considered a "Mando Monster". The variety on
these three recent projects above demonstrate why. The versatile
Reischman wrote two originals ("Choro for Shadow" and "Damien Miley")
which open and close this evocative project with John Miller called
"The Singing Moon." Seven original instrumental offerings from
finger-style guitarist John Miller, and one written by Bittencourt,
fill out this album of rawboned guitar and mandolin on original Latin
and jazz-inspired tunes. Sometimes, a listener just wants a smooth,
dreamy, clean picked and relaxing sound. I found "The Singing Moon" to
be just the answer for a morning or afternoon rush hour commute.
Miller and Reischman's music together is truly a delight.
The songwriting and instrumental skills of John Reischman really shine
when he collaborates with other top-notch musicians on the
all-original project, "Up In The Woods." Nearly 40 minutes of a
beautiful musical virtuostic tapestry are presented with Todd Phillips
(bass), Gabe Witcher (fiddle), Jim Nunally (Guitar), Dennis Caplinger
(banjo, fiddle), Scott Nygaard (guitar), Nick Hornbuckle (banjo), Rob
Ickes (dobro), Kathy Kallick (guitar), and John Miller (guitar). If
you like tone, clarity and dynamics in your instrumental music, then
this album is for you. Reischman clearly draws his inspiration from
such mandolinists as Bill Monroe, Sam Bush, Frank Wakefield, David
Grisman, Jethro Burns and Andy Statman. While he is a master of many
styles, Reischman clearly emphasizes the bluegrass and old-time
feeling on "Up In The Woods." This highly-recommended album is one
that you can listen to over and over without ever tiring of it. While
each tune has its own story, I was particularly impressed with the
overall feeling that I was left with when the last few measures of
track 12 "Greenwood" came to an end. I just felt like spinning the
entire album again.
Reischman's most recent project, "John Reischman and the Jaybirds"
brings him back to his bluegrass roots with a full band that also
includes hot pickers Jim Nunally (guitar), Nick Hornbuckle (banjo),
Greg Spatz (fiddle) and Trisha Gagnon (bass). The Jaybirds'
contemporary bluegrass sound is largely due to their emphasis on
innovative originals, unique personal arrangements of traditional
songs, and their instrumental prowess. John's progressive, yet
old-timey flavored, instrumental composition, "Salt Spring" opens the
album. Their interpretation of Gillian Welch and David Rawlings'
haunting "Winter's Come and Gone" follows with a beautiful duo of John
on lead and Trisha on tenor. The album weaves its way through songs
which feature the lead singing of Trisha, John or Jim. Trisha Gagnon
sings powerful leads on "My Home Far Away," "Come With Me," "Bravest
Cowboy", and one of my favorites on the album entitled "Blossoms on
the Almond Tree". Jim sings lead on the hard-driving bluegrassy
"Don't Wake Me Up" and Ralph Stanley/Bill Grant song, "Medicine
Springs." Besides the Welch/Rawlings song mentioned above, John also
sings a smooth lead with Trisha on tenor on a duet of "Katy Dear."
Other original instrumentals on the album include "Poisoning the
Well", the bouncy "Jaybird Ramble" and "Prairie Girl". The old-timey
"Booth Shot Lincoln" really allows Spatz and Hornbuckle to shine on
fiddle and banjo. In a clear tribute to up-tempo old-time fiddling and
picking, the traditional "Hog Eye" brings this highly-recommended
album to a wonderful and fitting closure. Sometimes bluesy, sometimes
folky, sometimes hard-edged, sometimes haunting, John Reischman and
the Jaybirds can be counted on for a powerful, dynamic and fresh
presentation that you will receive much pleasure and enjoyment from.
And be sure to catch this band live if you can. (Joe Ross)
You can hear John Reischman at
http://www.festival.bc.ca/corvus/johnr/.
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